OPENINGS:  BLACK ADAM (DC/New Line/Warners) arrived within moderate expectations at $67M.  That’s the highest weekend we’ve seen since Thor: Love & Thunder in July, but as a superhero epic with a $300M+ production/marketing budget, it’s far below Love & Thunder ($144.2M), Doctor Strange In the Multiverse of Madness ($187.4M), and DC’s The Batman ($134M).  […]

  OPENINGS:  INDIANA JONES AND THE DIAL OF DESTINY (Paramount/Lucasfilm/Disney) barely scraped the bottom of weekend expectations with $60M, and that studio estimate assumes an very strong Sunday.  The extremely expensive tentpole–$400M+ in production and worldwide marketing costs–combined an elderly franchise built around an 80-year old star with mediocre reviews following an ill-advised Cannes premiere, […]

  OPENINGS:  ABIGAIL (Universal) launched at the low end of expectations with $10.2M, lower than the $11.8M for Night Swim and virtually the same as the $9.9M for Imaginary.  Those films are respectively at $32.5M and $28M in the US, which is the likely range for Abigail.  However, the new film reportedly cost $28M before […]

  OPENINGS:  January is often welcoming to low-budget horror, but that didn’t help THE DAMNED (Vertical), which found $800K at 732 theaters, a meager $1100 weekend per-theater average. HOLDOVERS:  Flooding the holiday zone with family entertainments worked out very well for the studios, which had a quartet of bona fide smash hits between Thanksgiving and […]

> BREAKING DAWN PART 1:  Although BD1 had greater declines on Friday (as opposed to Thursday midnight) and Saturday than New Moon did in 2009, Summit’s weekend estimate assumes exactly the same 34% drop for Sunday.  So it’s possible their $139.5M figure could come down a bit in the actuals tomorrow (which could move the […]

  THE DARK KNIGHT RISES (Warners) did indeed have a big Saturday, as the preliminary numbers estimated–up 40% from Friday and fueling what should be a $63-65M 2d weekend, down about 60% from the opening.  It continues to run behind The Dark Knight, which had a $75.2M  Weekend 2 that was down only 53%, but […]

  OPENINGS:   A GOOD DAY TO DIE HARD (20th) pulled ahead of the competition on Saturday, and should have a $38M 5-day opening.  (However, its Sunday projection is on the optimistic side, so it’s possible the number could come down a bit.)  That’s 25% below the opening of Live Free Or Die Hard, and […]

  OPENINGS:   Two smart studio decisions bailed out what could have been a scary opening weekend for THE WOLVERINE (20th).  Fox kept the budget relatively low for its expensive genre, just $250M or so including worldwide marketing, and it boosted international appeal with an Asian setting.  Both paid off, as the movie had the robust […]