> Hollywood Hearts this weekend. OPENINGS: It turned out that THE VOW (Screen Gems/Sony) was indeed slightly more frontloaded than SAFE HOUSE (Universal), but not by enough to rob it of 1st place. Vow‘s massive $41.7M haul was higher than any opening weekend for a Julia Roberts, Sandra Bullock or Katherine Heigl vehicle–ever. (Cut to […]
OPENINGS: GODZILLA VS KONG (Warners, also on HBO Max) had the biggest US theatrical debut since the onset of pandemic closings with $48.5M over 5 days ($32.2M for the 3-day weekend). It will clearly roar past Tenet‘s $57.9M to become the highest-grossing title in over a year, and could pass $100M in the US. […]
OPENINGS: The weekend’s awful weather is being given the blame for a subpar Christmas holiday box office, but the fact remains that audiences appeared unenthused (or worse) about the new offerings. PUSS IN BOOTS: THE LAST WISH (DreamWorks Animation/Universal) fared best, with $11.4M for the 3-day weekend, $17.8M with Monday, and $24.6M since its […]
OPENINGS: Beyonce’s concert documentary RENAISSANCE (Variance/AMC Theaters) led the traditionally slow first weekend of December with $21M, a shadow of the $92.8M for the Eras Tour movie a couple of months ago, but within expectations. As with Eras Tour, it’s likely that the Renaissance box office will be front-loaded with fans, so the US […]
OPENINGS: As studio greenlight and release strategies continue to morph, one thing that’s clear is that there will never be a shortage of low-budget horror movies. SMILE (Paramount) is the latest successful arrival with $22M, following such recent releases as Barbarian, The Invitation, Pearl, and The Black Phone. Although Smile will have to face […]
OPENINGS: The adult-oriented OFFICE CHRISTMAS PARTY (DreamWorks/Paramount) had a 3% Saturday bump and wound up with a fair $17.5M for the weekend If it can hold decently against next week’s monstrous arrival, it might find its way to $50M in the US, although its dream is to have the kind of holiday legs Sisters did […]
OPENINGS: Coming into this weekend, the discussion about BLADE RUNNER 2049 (Alcon/Sony/Warners) was mostly about whether with its critical raves it could exceed expectations by 20% or so and become October’s #1 opening. But things went in the other direction, and its current $31.5M estimate doesn’t even put it in the month’s Top 20. […]
OPENINGS: INDEPENDENCE DAY: RESURGENCE (20th) is the latest indication that audiences may be tiring of massive CG spectacles–which is bad news for the major studios, since they’ve concentrated most of their line-ups into that genre. ID:R‘s $41.6M weekend is mediocre at best for a would-be blockbuster with $300M+ in worldwide costs, suggesting a US […]