WORLDWIDE STUDIO SCORECARD. Scroll down for domestic and overseas grosses for each film individually so far in 2014. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2014 is still running -5% behind last year and -3% below the average for this point the past four years ($8.399 billion).  Over the same period, […]

  OPENINGS:  The limits of the pandemic-era box office, not to mention the historically lowest-grossing holiday weekend of the year, were tossed aside by the super powers of the MCU, as SHANG-CHI AND THE LEGEND OF THE 10 RINGS (Marvel/Disney) obliterated the previous Labor Day weekend record ($26.4M/$30.6M for the 2007 edition of Halloween) with […]

  OPENINGS:  THE POST (DreamWorks/Reliance/Participant/20th) expanded to wide release with $18.6M over 3 days (which should become $22M with Monday).  That’s a bit better than the $15.4M 3-day start for Steven Spielberg’s Bridge of Spies, which didn’t have the benefit of a holiday weekend opening.  Bridge got to $72.3M in the US, and The Post […]

> NEW YEAR’S EVE (Warners):  Hardly any bump from Saturday night couples meant about as low an opening as anyone could have reasonably imagined.  Even with some play during Christmas week, the picture may struggle to earn more than its $56M production budget (which is separate from a likely $100M+ worldwide marketing budget).  After J. […]

WORLDWIDE STUDIO SCORECARD.  The release of X-Men: Days of Future Past has pushed 20th Century Fox to the top of the heap with over $1.5 billion in worldwide box office in 2014 to date.  The race will ebb and flow through the rest of the summer and into the holiday season, but Fox, Warner Brothers and Sony […]

  OPENINGS:  For ROGUE ONE (Lucasfilm/Disney), massive success was taken for granted, and the question was how big a standalone spin-off entry in the Star Wars canon could be.  The answer is pretty damn big:  its $155M US opening weekend is the 12th highest ever, and #3 for the year (behind $179.1M for Captain America: […]

  This weekend was fine… but just wait till next week. OPENINGS:  Polarizing, controversial, dark, revisionist, divisive–and a hit.  NOAH (Paramount/Regency) took in $44M in the US this weekend after a 16% Saturday bump.  That already makes it Darren Aronofsky’s 2d biggest hit after Black Swan.  Of course, it’s also by far his most expensive film, […]

  OPENINGS:  GODZILLA, KING OF THE MONSTERS (Legendary/Warners) didn’t have the Saturday bump that Kong: Skull Island enjoyed, instead dropping 17%, which was slightly worse even than the first Godzilla‘s 16%.  The result was a $49M US weekend, and a US total that may only reach $125M.  Although the numbers overseas were bigger, they were […]