OPENINGS: MOANA (Disney Animation) notched the #2 5-day Thanksgiving opening of all time with $81.1M (unless tomorrow’s finals put it behind Toy Story 2‘s $80.1M), and it should easily hit $250M before it’s done, especially since Universal’s Sing is its only serious family competition for the holiday season. Its international release is going to […]
OPENINGS: The economics for FANTASTIC BEASTS AND WHERE TO FIND THEM (Warners) will probably put the film at $600-700M worldwide against roughly $350M in costs. That’s a profitable place to be, although not quite as strong as Suicide Squad, which has reached $745.6M worldwide on similar costs. For the weekend, Warners is predicting $75M in […]
OPENINGS: The box office was boosted in general by Veterans Day, which gave many Americans a 3-day weekend, but ARRIVAL (FilmNation/Sony/Paramount) was still notably impressive with a $24M weekend at a mid-wide 2317 theatres. Its word of mouth remains to be seen (it dropped 4% on Saturday), but it seems to be in good […]
OPENINGS: DOCTOR STRANGE (Marvel/Disney) did what a Marvel movie is supposed to do. In the US, its $85M debut was higher than the starts of Captain America and Thor (both $65-66M), and just a hair away from the November opening of Thor 2 ($85.7M), it not quite in a league with the $94.3M for […]
OPENINGS: As is frequently the case these days, the biggest opening numbers are outside the US. DOCTOR STRANGE (Marvel/Disney) won’t arrive here until Thursday night, but it’s already racked up $86M in 33 overseas territories covering less than half the world, and not including China or Japan. It’s a particularly impressive start since Strange […]
OPENINGS: BOO! A MADEA HALLOWEEN (Lionsgate) took the weekend with $27.6M, Tyler Perry’s biggest start since the $29.3M for 2010’s Why Did I Get Married Too. Perry’s movies tend to run out of steam quickly, but Boo had an encouraging 24% Saturday bump, and even if Boo only reaches $60M in the US (and […]
OPENINGS: The biggest arrival of the weekend is still 2 weeks away from reaching the US. INFERNO (Columbia/Sony), the latest in the DaVinci Code/Angels & Demons franchise, opened in 53 markets comprising about 2/3 of the world with $50M. That’s a solid start, but suggests that when the movie goes worldwide (except for France) […]
OPENINGS: THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) didn’t have much of a Saturday bump, rising just 2% (that compares to 15% for the 2d day of Gone Girl), suggesting that word of mouth is less than stellar. The result was a $24.7M weekend that was lower than originally anticipated, and early international results of […]