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Behind the US/Worldwide Box Office – 6/19/16

Posted June 19, 2016 by Mitch Salem

  OPENINGS:  FINDING DORY (Pixar/Disney) had a 17% Saturday drop, which is on the high side for an animated blockbuster (Inside Out fell 10% on its 2d day, Monsters University was down 6%, and Minions 16%).  That suggest that the overall multiple from opening weekend may not reach the heady heights that Pixar is used […]

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Behind the US/Worldwide Weekend Box Office – 10.1.2017

Posted October 1, 2017 by Mitch Salem

  OPENINGS:  We won’t really know the order of the weekend’s closely-bunched Top 3 movies until final numbers are released tomorrow, but since the default position of any studio with a new opening is to claim victory, the fact that AMERICAN MADE (Cross Creek/Universal) is currently in 2nd place with $17M can’t be a good […]

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Behind the US/Worldwide Weekend Box Office – 5.27.2018

Posted May 27, 2018 by Mitch Salem

  OPENINGS:  With the addition of Saturday and overseas numbers, SOLO (Lucasfilm/Disney) is starting to shift from a disappointment to a potential disaster.  In the US, Solo fell 30% on Saturday (by comparison, last year’s Memorial Day opening Pirates of the Caribbean 5, a movie no one particularly loved, dropped only 14% on its Saturday, […]

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Behind the US/Worldwide Weekend Box Office – 2.3.2019

Posted February 3, 2019 by Mitch Salem

  OPENINGS:  It’s possible to make money on Super Bowl weekend, as hits like Dear John ($30.5M), Taken ($24.7M) and Chronicle ($22M) have shown.  But MISS BALA (Columbia/Sony) didn’t have what it takes, with a sluggish $6.7M start.  The 5% Saturday bump suggests that word of mouth isn’t bad, but next weekend it will have […]

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Behind the US/Worldwide Weekend Box Office – 10.20.2019

Posted October 20, 2019 by Mitch Salem

  OPENINGS:  MALEFICENT: MISTRESS OF EVIL (Disney) had a weak $36M start in the US, down 48% from the $69.4 opening of the first Maleficent 3 years ago.  If Mistress of Evil manages the same multiple as its predecessor, it could reach $125M in the US, but that may be a stretch, because Maleficent opened […]

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US/Worldwide Weekend Box Office Report – 12.6.2020

Posted December 6, 2020 by Mitch Salem

  OPENINGS:  Universal continued to be the main supplier of fresh product to gasping theatres, with both of the weekend’s wide openings.  They will, per the studio’s deals, be available at home in about 3 weeks–an arrangement that looks awfully good for theatres compared to Warners’ new plan to day-and-date releases at home from opening […]

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Behind the US/Worldwide Box Office – 11.14.2021

Posted November 14, 2021 by Mitch Salem

  OPENINGS:  CLIFFORD THE BIG RED DOG (Nickelodeon/Paramount, also on Paramount+) opened on Wednesday and earned $22M over 5 days, $16.4M of it over the weekend.  That’s somewhat above the $13.1M start for Paw Patrol, which was also simultaneously released on Paramount+ and opened on a Friday.  Paw Patrol totaled $40.1M in the US, and […]

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Behind the US/Worldwide Weekend Box Office – 7.17.2022

Posted July 17, 2022 by Mitch Salem

  OPENINGS:  WHERE THE CRAWDADS SING (Columbia/Sony) launched with $17M, ahead of (low) expectations, and fueled by an audience of women in the midwest/south.  There’s no direct competition in sight, and it should be able to leg out past $50M in the US, which would be considered a win for the moderately-budgeted production.  Crawdads may […]

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