> There are good movies and there are hits, and given the choice, there’s never been any doubt which Hollywood prefers. OPENINGS:  A March filled to the brim with wannabe blockbusters is off to a big start.  THE LORAX (Universal) may be a bad movie (spoiler alert–it is), but the studio sold the hell out […]

> It stood to reason that if anyone was going to figure out how to effectively convert standard 35mm to 3D, it would be James Cameron. Cameron, whose Avatar is singlehandedly responsible for creating the current 3D frenzy, has spent more than a year and $18M to go back 15 years and transfer his 1997 […]

    Not Even For Free   Remember Ken Russell’s movie of The Who’s Tommy?  The scene where Ann-Margret’s nervous breakdown was visualized by her television set vomiting out baked beans, chocolate and similar goo?  Watching Zach Snyder’s SUCKER PUNCH is like having that TV on permanent DVR.

  Michael Lewis’ book Moneyball was a marvelous read, but seemed like dim source material for a movie. Credit, then, is due to the creators of the film version–the various producers, screenwriters Steven Zailian and Aaron Sorkin, and director Bennett Miller–for finding a compelling narrative spine in a true-life story about the change in an […]

  THE SITTER:  Not At Any Price – Adventures In Bad Moviemaking   Jonah Hill is awfully lucky to have made Moneyball this year.  In that film, fueled by a brilliant Aaron Sorkin/Steven Zaillain script, he gave a marvelous performance as half of the year’s most unlikely comedy team with Brad Pitt, but since then […]

      JOHN CARTER:  Watch It At Home – Never Goes Into Orbit   All signs suggest that JOHN CARTER will be a financial failure of historic proportions, mostly because of its colossal cost (Disney admits to $250M, which almost certainly means close to $300M when reshoots and last-minute CG are included–and that doesn’t […]

Ted now looks like a $54.1 million opening weekend, according to the studio estimate this morning (exceeding our forecast in Wednesday’s ShowbuzzDaily Weekend Predictions).  Warner Brothers has pulled Magic Mike’s weekend estimate below $40 million, while Madea’s Witness Protection is down a bit to $26.4 million.   Brave is on track for a 49% decline […]

  Let’s start with something simple:  anyone who claims to have reliable knowledge about the profitability of a specific film, without having detailed access to its production budgets, financing documents and key talent agreements (virtually all confidential), misleads themselves and their readers. The financing and accounting of films is probably more complicated now than it’s […]