Virtually every screening at Sundance is followed by a Q&A with the filmmaker, and while these sessions can be informative and charming (although 3 questions that need never be asked again are How long did you shoot?  What was the budget? and How much was improvised?), they can also be quite sad.  Watching them, […]

> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a low-key drama based (apparently rather closely) on a true story without any hacked-off limbs or hint of the supernatural. In […]

  James Ponsoldt’s SMASHED (not to be confused with NBC’s Smash), which premiered in the Dramatic Competition at Sundance, is a new spin on a fairly old story.  The concept goes back (at least) to 1962’s Days of Wine and Roses:  a couple (Mary Elizabeth Winstead and Aaron Paul), very much in love with both […]

>The fourth weekend of the year should generate about $91 million for the top 12 films — about the same as last year’s comparable weekend and down 10% from a “normal” weekend this time of year.  The top film should be Liam Neeson in The Grey, at a very unspectacular $15 opening weekend number.   […]

> After what seemed as long as a presidential primary season, the Oscar nominations are finally here. What do they tell us? THE ARTIST Is Still The Film To Beat. There were plenty of surprises sprinkled throughout today’s nominations, but none that seriously challenged the conventional wisdom. If Martin Scorsese were still looking for his […]

> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]

> Although Sundance still has several days to go, and surprises could spring up at any time (yesterday The Surrogate, a drama with John Hawkes as a man in an iron lung who decides to lose his virginity to a sex therapist played by Helen Hunt, came out of nowhere to win a huge $6M […]

>We'll have some analysis later (good news: Extremely Loud! Margin Call for Screenplay! Bad news: no Michael Fassbender? No David Fincher?), but for now, here's a link to the full list of Oscar nominees: http://oscar.go.com/nominees?cid=ealert_012412_oscars_nom_nomindex_oscarpagevideovisitors Sent via BlackBerry by AT&T