Sundance is sometimes thrilling, but it can also be an ordeal.  Especially when the films are good, but not great.  And even more so if you arrive with limited tickets, and are left to the tender mercies of the Wait List lines (which, given Sundance’s idiosyncratic approach to Wait Lists, requires standing on each […]

>Updated Worldwide Box Office figures below.  Girl with the Dragon Tattoo now closing in on $200 million worldwide. 

> Beware the round-number weekend estimate. OPENINGS:  THE GREY (Open Road) is claiming an even $20M gross for the weekend, which would make tomorrow’s adjusted number starting with “19” no surprise at all.  In any case, it’s a bit lower than Liam Neeson’s other starts in his new career as an action star, but Grey […]

>The weekend studio estimates (based on Friday and Saturday actuals and projections for Sunday) are coming in somewhat stronger than the weekend numbers posted yesterday (based on Friday actuals only).  The box office volume for the top 12 films is now looking like $99 million for the weekend, up a modest 7% from last year’s […]

  Click on SHOWBUZZDAILY‘s reviews from this year’s Sundance Film Festival, in alphabetical order:   2 DAYS IN NEW YORK (Magnolia) BACHELORETTE (No Distrib) BEASTS OF THE SOUTHERN WILD (Fox Searchlight) CELESTE AND JESSE FOREVER (Sony Pictures Classics) COMPLIANCE (Magnolia) FILLY BROWN (No Distrib) THE FIRST TIME (No Distrib) FOR A GOOD TIME, CALL… (Focus) […]

  MIDDLE OF NOWHERE, which won the Sundance US Dramatic Directing award for Ava DuVernay last night, is in no rush.  The films moves with deliberation as it establishes its leading character and her difficult situation:  Ruby (Emayatzy E. Corinealdi) isn’t a single mom, but she might as well be, with husband Derek (Omari Hardwick) […]

  It takes about an hour, but Nicholas McCarthy’s THE PACT, which premiered in the Park City At Midnight section at Sundance, eventually turns out to have a neat twist up its sleeve, one that switches the movie from haunted house horror to an entirely different subgenre of thriller.  And after that, a solid reel […]

> Behold Liam Neeson, King of January. OPENINGS:  THE GREY (Open Road) will easily take the weekend, albeit at a lower level than prior Neeson early-year thrillers.  Given that this one features killer wolves and hypothermia rather than gunfights and car chases, that’s not unexpected, and the picture should hit a decent profit.  ONE FOR […]