> Live by Cinemascore, die by Cinemascore. THE DEVIL INSIDE:  The most hilarious studio event of the last 24 hours has been Paramount‘s frantic attempt to argue that an “F” Cinemascore for THE DEVIL INSIDE, making it one of the half-dozen worst exit-polled movies of the past several years, isn’t really that bad if you […]

> Both The Hollywood Reporter and Deadline have preliminary (and somewhat divergent) estimates for Friday and the weekend boxoffice, and it looks like this will be the second consecutive weekend with a down-to-the-wire finish.  Whoever comes out ahead when final numbers are announced, though, it’s already clear that this will be another unexpectedly robust session […]

> For anyone who thought the angst over JOHN CARTER‘s boxoffice returns was overstated:  Disney has issued a public statement advising that it expects the film to result in a $200M loss, which will singlehandedly pull the Disney film studio as a whole to a loss of $80-120M for this calendar quarter.  That’s less horrific […]

> According to preliminary numbers at Deadline, THE PIRATES!  BAND OF MISFITS (Sony) will pull ahead of THE FIVE-YEAR ENGAGEMENT (Universal) for the weekend thanks to Saturday and Sunday matinee business, although Engagement is still ahead as of Saturday and the race will be close.  (Both, however, will be behind Think Like A Man and […]

  SARAH’S KEY – Watch It At Home:  Misses a Difficult Mark     There may be no cinematic minefield more dangerous for filmmakers than the Holocaust.  For films entering that difficult territory, the choices of tone, approach and imagery may not just be called into question, but outright offend audiences, and viewers have very […]

  IN TIME:  Watch It At Home – The Clock Never Really Starts Ticking   Andrew Niccol wants to be a populist moviemaker of ideas, but he just doesn’t have the knack.  Niccol’s ideas are genuinely impressive:  he’s the man who wrote The Truman Show and Gattaca, and less successfully, S1mOne and Lord of War.  […]

    FILLY BROWN, directed by Youssef Delara (who also wrote the script) and Michael D. Olmos, falls into a recognizable Sundance genre:  sagas of poor young women (usually ethnic) struggling to escape their poverty and make a better life.  Celebrated examples in festival history include Girlfight and Real Women Have Curves; Filly Brown, while […]

Men in Black 3 increased again this week, to $352 million overseas to date (up solidly from $275 million last week).  Snow White and the Huntsman also grew, up to $84 million overseas (from $39 million last week).  Madagascar 3 enters the chart with $76 million overseas, while the other North American opener this weekend, Prometheus, now stands […]