> The 14th weekend of 2012 is looking like $119 million for the Top 12 films, up 15% from this weekend last year and up 11% from the four-year average for the same weekend.  The Hunger Games is heading for a very decent 45% drop this weekend (much better than the 62% drop in its […]

With the announcement of the Oscar nominations today, Lincoln only became more of a favorite by London oddsmakers (moving from a payout of about $1.80 on a $1 bet last week to about $1.40 today).   The odds got a bit longer for Les Miserables and Argo, but Zero Dark Thirty had the biggest swing (from a payout of about $5.50 last […]

>Overseas box office show big gains for Puss in Boots and Real Steel, now at $142 million and $186 million overseas to date, respectively.  Both films are solidly in the top five films worldwide, approaching $300 million worldwide each. New Year’s Eve has $13 million overseas to date, but it only stands at $44 million […]

> Fuller numbers are in, and they show a surprising near-tie on Friday between RISE OF THE PLANET OF THE APES, THE HELP and FINAL DESTINATION 5, all at $7.3-7.8M for the day.  The Apes have the presumptive advantage over the weekend, because 2d weekends are less front-loaded than openings, but since The Help started […]

No box office predictions for this weekend.  This feature will return next week. ###

The first weekend of the new year is looking like $125 million for the top 12 films Friday-Sunday, slightly above average for this weekend versus previous years. Opening at around 2,500 theaters Friday (slightly below the 2,886 average theater count for opening weekends the last two years), Paranormal Activity: The Marked Ones from Paramount should average about $7,000 per theater for […]

> 2012 is off to a solid start with $135 million in business for the top 12 films — up 12% from a typical performance for the first weekend of the year but up sharply from the disaster that was 2011’s opening frame.  The Devil Inside exceeded our forecast and will be the #1 movie […]

> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a low-key drama based (apparently rather closely) on a true story without any hacked-off limbs or hint of the supernatural. In […]