Through 14 weeks of the year, 2013 totals $2.232 billion (for wide-release films that have played at more than 400 theaters). This remains well behind the 2012 pace ($2.624 billion) and the very similar 2010 pace ($2.618 billion). However, 2013 continues to pull away from the particularly slow performance in 2011 ($2.071 billion). As a […]
> The Sundance Film Festival, like Toronto, issues its announcements about the films that will be screening in several stages. (Sundance’s sadism about actually obtaining tickets, however, is all its own.) Today came the first release for the January 2012 Festival, covering the US and international competition slates in Dramatic and Documentary films. These are […]
> Boxoffice numbers have been bouncing around all day (Per-theatre averages as of 3PM Pacific time! Number of left-handed, red-haired patrons sitting through the entire end credits!), and they’re still not final or official, but a preliminary picture is starting to come together of THE HUNGER GAMES’ first day in theatres. Both Deadline and The […]
> Despite all Universal‘s efforts to imprint audiences with the idea that THE FIVE-YEAR ENGAGEMENT is some kind of quasi-sequel to Bridesmaids (it’s not), preliminary numbers at Deadline show the movie to be underperforming badly. Its $3.7M Friday was only in 3rd place for the day, well below the $6M opening day the same creative […]
> Hollywood, like teen girls before a Twilight opening, counts the hours until THE AVENGERS arrives. OPENINGS: Universal badly miscalculated when it scheduled THE FIVE-YEAR ENGAGEMENT for a weekend when Think Like A Man and The Lucky One were both available for the romance market. The movie was moderately budgeted (although it had a substantial […]
> Deadline has updated early Friday numbers, and it’s looking like another too-close-to-call weekend: all the movies in the Top 5–MONEYBALL, THE LION KING, DOLPHIN TALE, COURAGEOUS and 50/50–have Friday grosses between $3.2-3.8M. Courageous is probably the most front-loaded, due to its focused church-based audience (although it’s per-theatre number will be very impressive), and while […]
WORLDWIDE STUDIO SCORECARD. Updated look at 2016 by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now even with last year and still +2% above the average for this point the past four years ($5.943 billion). Over the same period, Hollywood films have grossed $15.3 billion worldwide when […]
>Nine full weeks into 2012, domestic box office continues to run well ahead of last year’s glacial pace, and the year-to-date total is now pacing a double-digit percentage increase over of the comparable period’s average for the last several years. Weekend Actuals versus Studio Estimates The Lorax came in at $70.2 million for its opening […]