Updated international box office chart.
An aptly-titled music special provided the night’s strongest sign of life. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over the age of 2). […]
In a very unusual move, NBC has already made major changes in the fall schedule that it announced just 2 weeks ago. In fact, it’s changed the centerpiece of that schedule, reversing the move of its breakout hit This Is Us to Thursdays, and leaving it instead on Tuesday. As the chart indicates, This Is […]
NETWORK FINALS: DATELINE gained 0.1 in final numbers, and both THE VAMPIRE DIARIES and BLUE BLOODS fell 0.1. Broadcast Official Nationals Program Ratings Chart CABLE HIGHLIGHTS: Discovery was at the top of Friday cable with GOLD RUSH, down a tick to 1.06, and lead-out THE WHEEL […]
NETWORK FINALS: Once the NFL preseason games were cleared out for final numbers, the entire CBS line-up (reruns of MACGYVER and BLUE BLOODS plus the SON OF SAM special) and the rerun AMERICA’S GOT TALENT were down 0.2, while WHAT WOULD YOU DO, DATELINE, MASTERCHEF, BEAT SHAZAM, 20/20 and the rerun MASTERS […]
Even with a captive audience, the attraction of network TV may be fading. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over […]
OPENINGS: Although BLUE BEETLE (DC/Warners) won the weekend over a tiring Barbie, it landed at the low end of expectations with $25.4M–and given the heavy 15% Friday-to-Saturday drop (much steeper than the 4%/6% drops for the Shazam movies), not to mention the Sunday West Coast weather, that studio estimate may be optimistic. The international […]
> It stood to reason that if anyone was going to figure out how to effectively convert standard 35mm to 3D, it would be James Cameron. Cameron, whose Avatar is singlehandedly responsible for creating the current 3D frenzy, has spent more than a year and $18M to go back 15 years and transfer his 1997 […]