Articles

December 10, 2019
 

SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 12.9.2019

 

THE MOODYS can’t end soon enough for FOX.

DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over the age of 2).

Ratings analysis and comparisons follow the chart.

CW:  The BATWOMAN segment of CRISIS ON INFINITE EARTHS was down 0.1 from Sunday’s installment to 0.6, and BLACK LIGHTNING rose 0.1 to 0.3

FOX:  BEAT SHAZAM was at 0.5, and THE MOODYS tumbled 0.4 from last week’s premiere to 0.3.

ABC:  Note that local MONDAY NIGHT FOOTBALL preemptions may revise these numbers.  For now, THE GREAT CHRISTMAS LIGHT FIGHT is up 0.2 to 0.9, followed by a rerun THE GOOD DOCTOR at 0.7.

CBS:  Returning from a week off, THE NEIGHBORHOOD gained 0.2 to 0.9, and BOB HEARTS ABISHOLA was steady at 0.7.  ALL RISE dipped 0.1 to 0.5, followed by a rerun BULL at 0.4.

NBC:  THE VOICE held at 1.1, and MAKING IT was steady at 0.5.

Tonight, THE FLASH gets its CRISIS ON INFINITE EARTHS episode, and THE MOODYS stumbles to its conclusion.

COMPARISONS TO SIMILAR NIGHTS: Preliminary adult 18-49 live+same day ratings versus the same night last year and same night last week.

CABLE RATINGS: Come back this afternoon for detailed demographic ratings for top cable programs from this day.

PREVIOUS MONDAY NETWORK SCORECARDS (FAST NATIONALS)

PREVIOUS MONDAY CABLE & BROADCAST NATIONALS

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About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.