Articles

July 25, 2017
 

SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 7.24.2017

 

One new scripted show had an OK premiere, the other didn’t.

DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over the age of 2).

Ratings analysis and comparisons follow the chart.

Fast Demo 2017 Jul 24.MON

NBC:  AMERICAN NINJA WARRIOR gave a 1.4 lead-in (down 0.1 from last week) to MIDNIGHT, TEXAS, which at 0.9 was 0.1 below last week’s SPARTAN in that slot.

ABC:  Even though THE BACHELORETTE provided a 1.6 lead-in (steady with last week), SOMEWHERE BETWEEN could only manage a 0.6 start.

FOX:  SO YOU THINK YOU CAN DANCE (0.7) and SUPERHUMAN (0.5) held last week’s numbers.

CW:  The new WHOSE LINE IS IT ANYWAY gained 0.1 to 0.3, the same as the rerun that followed it, and up 0.1 from its rerun SUPERGIRL lead-in.

CBS:  Reruns at 0.6 for the sitcoms and 0.4 for SCORPION.

Things won’t get any easier for SOMEWHERE BETWEEN tonight as it moves to its regular timeslot, where its lead-in will be sitcom reruns.

COMPARISONS TO SIMILAR NIGHTS: Preliminary adult 18-49 ratings versus the same night last year and same night last week.

Fast Track 2017 Jul 24.MON

CABLE RATINGS: Come back this afternoon for detailed demographic ratings for top cable programs from this day.

PREVIOUS MONDAY NETWORK SCORECARDS (FAST NATIONALS)

PREVIOUS MONDAY CABLE & BROADCAST NATIONALS

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About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.