Articles

September 4, 2013
 

Weekend Box Office Predictions SEPTEMBER 6-8

The 36th weekend of the year (usually the lowest-grossing weekend of the year) is looking like $73 million for the top 12 films, actually above the four-year average for this weekend ($65 million) and way above last year’s stuning bad $52 million on this weekend.  Nothing to get excited about, but not the black hole it could be.  A decent opening for Riddick and continued solid business from The Butler and, to a lesser extent, We’re the Millers should keep the box office in acceptable shape for this tough spot in the calendar as people focus on going back to school and return their attention to the NFL.

Opening at around 2,800 theaters Friday (very close to the 2,886 average theater count for opening weekends the last two years), Riddick from Universal should average $8,400 per theater for the weekend (for a $23.5 million opening three-day weekend). [The average wide-release film the past two years has had an opening weekend of $5,300 per theater.] The early reviews at RottenTomatoes are okay: 63% positive so far with many more reviews to come in.  Look for the positive review score to settle in the mid- to high-50s. Riddick should be on track for $56 million domestic, near the $57.8 million domestic total for The Chronicles of Riddick (which opened to $24.3 million June 11-13, 2004).

 

NEW FILMS THIS WEEKEND

September 6-8, 2013

Critics Positive ($ millions)
Opening Weekend Forecast Domestic Total Projection
Riddick Uni R 63% 23.5 56
Note: Although critic reviews are not related to the size of the opening weekend, they are significantly correlated with the size of the declines in the opening weeks of a movie. The Domestic Total is a very early ShowBuzzDaily projection of the total North American gross, based on the Weekend Forecasts.

 

The Butler remains the class of the holdovers, as One Direction rapidly descends the chart.  Last year on this weekend, the #1 film (the second weekend of The Possession) only grossed $9.3 million, while the #2 film (the second weekend of Lawless) only scraped together $6.0 million.

 

RETURNING FILMS

September 6-8, 2013

Change vs Last Weekend ($ millions)
Weekend Forecast Showbuzz Domestic Final Proj.
Lee Daniels’ The Butler Weins -35% 9.7 112
We’re the Millers WB -40% 7.7 139
Instructions Not Included LG/Sum -28% 5.7 18
One Direction: This Is Us Sony -66% 5.4 35
Planes Dis -39% 4.8 87
Elysium Sony -54% 3.0 93
The Mortal Instruments Sony -50% 2.8 30
Blue Jasmine Sony -32% 2.8 36
Percy Jackson: Sea of Monsters Fox -40% 2.7 65
The World’s End Uni/Foc -48% 2.6 32

 

Box Office Volume

For the past four years, the top 12 films in this comparable weekend have averaged $65 million total, ranking 52nd of 52 weeks. Last year, this weekend’s total was $52 million (while 2011 was $65 million and 2010 was $66 million). This Friday-Sunday is looking like a relatively decent $73 million, up 13% from the multi-year average for the comparable weekend and up 41% from the disastrous comparable weekend last year.

 

This Weekend Last Two Years

9.7.2012

The Words CBS PG13 Bradley Cooper Olivia Wilde
Opening Weekend — Forecast: $7 Actual: $5
Domestic Gross — Estimate: $12 Actual: $11
International — Estimate: n/a Actual: $2

The Cold Light of Day SUMMIT PG13 Henry Cavill Bruce Willis
Opening Weekend — Forecast: $2 Actual: $2
Domestic Gross — Estimate: $0 Actual: $4
International — Estimate: n/a Actual: $13

9.9.11

Contagion WB PG13 Matt Damon Marion Cotillard
Opening Weekend — Forecast: $21 Actual: $22
Domestic Gross — Estimate: $85 Actual: $76
International — Estimate: n/a Actual: $60

Warrior LG PG13 Joel Edgerton Tom Hardy
Opening Weekend — Forecast: $10 Actual: $5
Domestic Gross — Estimate: $21 Actual: $14
International — Estimate: n/a Actual: $9

Bucky Larson: Born to be a Star SONY R Nick Swardson Stephen Dorff
Opening Weekend — Forecast: $3 Actual: $1
Domestic Gross — Estimate: $-3 Actual: $2
International — Estimate: n/a Actual: $0

 

Check back throughout the weekend for box office updates as the actual numbers come in.



About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.