April 24, 2016

Year to Date Box Office & Worldwide Studio Scorecard 4.24.2016

More articles by »
Written by: Mitch Metcalf
Tags: , , , , , , ,

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.


Studio YTD 2016 as of 2016 Apr 24

YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now +6% above last year and still +9% above the average for this point the past four years ($2.745 billion).  Over the same period, Hollywood films have grossed over $7.8 billion worldwide when we add overseas box office (that’s now -1% below the comparable worldwide box office last year at this stage but ahead of 2014 by +10%).

A reminder: we define the start of each year as the first Monday after New Year’s Day, and our year ends on the Sunday after New Year’s Day the following calendar year.  (The most recent week’s numbers are based on weekend estimates, which are usually at worst a couple of percentage points off from the final weekend tallies.) 

(billions) Weeks 1-16
North America Worldwide
2016 $3.003 $7.843 Jan 4-Apr 24
2015 $2.820 $7.939 Jan 5-Apr 26
2014 $2.747 $7.113 Jan 6-Apr 27
2013 $2.477 n/a Jan 7-Apr 28
2012 $2.935 n/a Jan 2-Apr 22

The past six weeks in North America are now up +6% from the same period last year (up marginally from from recent weeks: +3% pace last week and +5% pace two weeks ago) and now +10% above the four-year average for the similar six-week period ($1.044 billion).

North American Box Office PAST SIX WEEKS
2016 $1.150 since Mar 14
2015 $1.085 since Mar 16
2014 $1.071 since Mar 17
2013 $0.949 since Mar 18
2012 $1.069 since Mar 12


WORLDWIDE GROSSES BY FILM TITLE.  Here are the updated 2016 film rankings.

International 2016 through 2016 Apr 24



About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.