September 24, 2017

Year to Date Box Office & Worldwide Studio Scorecard 9.24.2017

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Written by: Mitch Metcalf
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WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio.

Studio YTD 2017 as of 2017 Sep 24

YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now down -1% from last year and now +3% above the average for this point the past four years ($7.443 billion).  Over the same period, Hollywood films have grossed $21.0 billion worldwide when we add overseas box office (that’s now +7% above the comparable worldwide box office last year at this stage and +8% above 2015).

A reminder: we define the start of each year as the first Monday after New Year’s Day, and our year ends on the Sunday after New Year’s Day the following calendar year.  (The most recent week’s numbers are based on weekend estimates, which are usually at worst a couple of percentage points off from the final weekend tallies.)  The numbers in this chart contain box office grosses from each year’s films as well as grosses from prior year films that carried over into that year.

(billions) Weeks 1-38
North America Worldwide
2017 $7.632 $21.005 Jan 2-Sep 24
2016 $7.746 $19.666 Jan 4-Sep 25
2015 $7.479 $19.453 Jan 5-Sep 27
2014 $7.022 $18.463 Jan 6-Sep 28
2013 $7.523 n/a Jan 7-Sep 29

The past six weeks in North America are now down -5% from the same period last year and now up +2% from the four-year average for the similar six-week period ($0.798 billion).

North American Box Office PAST SIX WEEKS
2017 $0.812 since Aug 14
2016 $0.854 since Aug 15
2015 $0.814 since Aug 17
2014 $0.731 since Aug 18
2013 $0.791 since Aug 19


WORLDWIDE GROSSES BY FILM TITLE.  Here is an updated look at the 2017 film rankings. The numbers in this section are only from films released wide this year (and not box office for films released late last year that carried into this year).

International 2017 through 2017 Sep 24


International 2017 through 2017 Sep 24 part 2




About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.