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September 1, 2013
 

Year to Date Box Office & Worldwide Studio Scorecard

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Written by: Mitch Metcalf
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STUDIO SCORECARD. The worldwide studio rankings for 2013 to date remain the same as last week’s.

Reminder: the chart below has been reformatted and expanded to include a look at all releases from each studio, divided into three buckets: worldwide grosses of over $300 million, grosses between $100 million and $299 million, and films under $100 million worldwide.

Studio YTD Sep 1 2013

TOTAL NORTH AMERICAN BOX OFFICE. Looking at wide-release films in North America (those that play on at least 400 screens at some point), 2013 now totals nearly $7.1 billion, still ever so slightly ahead of 2012’s pace and 3% above the prior four-year average 2009-2012. ($6.844 billion).  Each year-to-date period below is defined as the first Monday after New Year’s Day through the most recent Sunday. The past week generated a typical $151 million in wide-release North American box office, up 4% from the same week last year and down 1% from the 2009-2012 average for the same week ($152 million). (The most recent week’s numbers are based on weekend estimates, which are usually at worst a couple of percentage points off from the final weekend tallies.)

North American Box Office YEAR TO DATE
(billions) Weeks 1-34
2013 $7.058 Jan 7-Sep 1
2012 $7.024 Jan 2-Aug 26
2010 $6.863 Jan 4-Aug 29
2009 $6.826 Jan 5-Aug 30
2011 $6.663 Jan 3-Aug 28

Over the past six weeks, 2013 is now virtually equal to the same six weeks in 2012 and nearly identical to the four-year average in the same time frame ($1.258 billion).

North American Box Office LAST SIX WEEKS
(billions) Weeks 29-34
2011 $1.365 July 18-Aug 28
2012 $1.261 July 16-Aug 26
2013 $1.255 July 22-Sep 1
2010 $1.225 July 19-Aug 29
2009 $1.183 July 20-Aug 30



About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.