Author Archive
 

 

Sundance Film Festival Reviews 2025: “Hal & Harper”

  HAL & HARPER (no network):  Cooper Raiff launched his career as an actor-writer-director with Shithouse, which won the Narrative Grand Jury Award at SXSW.  He parlayed that into Cha Cha Real Smooth, which was less...
by Mitch Salem
 

 
 

SHOWBUZZDAILY EARLY FRIDAY BOXOFFICE REPORT – 6/15/12

Question #1 on this weekend’s boxoffice:  if The Dark Knight Rises is a blockbuster but everything else Warners releases this summer is a bomb, is the studio having a good summer?  Based on preliminary Friday numbers at...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Safety Not Guaranteed”

  SAFETY NOT GUARANTEED:  Worth A Ticket – Time Is Of Its Essence Nothing in SAFETY NOT GUARANTEED happens the way you’d expect.  The film was inspired by a real-life classified ad run by someone looking for ...
by Mitch Salem
 

 
 

THE SKED’S FRIDAY NETWORK SCORECARD – 6/8/12

  Not much to say about a night when the networks weren’t even trying. ABC:  Winner of the night with a whopping 1.1 average.  The high point was a 1.4 for 20/20 at 10PM. NBC:  The only network to air anything new...
by Mitch Salem
 

 

 

SHOWBUZZDAILY EARLY WEEKEND BOXOFFICE REPORT – 6/23/12

BRAVE (Pixar/Disney), of course, continued its victorious march through the weekend’s boxoffice on Saturday.  According to preliminary numbers at Deadline, the animated fantasy fell a small 4% on its 2d day of release, t...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FRIDAY STUDIO SCORECARD – 6/8/12

Now if the Madagascar animals had to battle the Prometheus aliens, that might have been interesting. OPENINGS:  PROMETHEUS (20th) edged out MADAGASCAR 3 (DreamWorks Animation/Paramount) for Friday honors ($21.4M to $20.5M), bu...
by Mitch Salem
 

 

 

THE SKED’S FRIDAY NETWORK SCORECARD – 6/15/12

Network Programmer conversation today:  “OK, Niagara Falls on a high wire worked–next time, let’s do someone walking on his hands across the Grand Canyon.” “Hopping across the Sahara Desert!”...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Lola Versus”

LOLA VERSUS:  Watch It At Home – An Unmemorable Woman   LOLA VERSUS‘ ambition is pretty clear:  it wants to be the 2012 version of Paul Mazursky’s 1978 comedy-drama AN UNMARRIED WOMAN, which is to say c...
by Mitch Salem
 

 

 

SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 6/10/12

Don’t look a gift boxoffice in the mouth? OPENINGS:  Unsurprisingly, both studios pushed their estimates on MADAGASCAR 3 (DreamWorks Animation/Paramount) and PROMETHEUS (20th) to the highest round number available, meani...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Veep”

VEEP has no particular interest in going anyplace, so its season finale tonight was more or less the same as any other episode.  This has made for a fun, but somewhat repetitive, ride over the show’s initial 8-episode se...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Mad Men”

The title of MAD MEN‘s Season 5 finale was “The Phantom,” and as is almost always the case with Matthew Weiner’s opus, it had several meanings.  (Weiner shared credit for the finale’s script with ...
by Mitch Salem
 

 
 

THE SKED’S SUNDAY NETWORK SCORECARD – 6/10/12

And the winner isn’t. CBS:  THE TONY AWARDS, with little-known contenders for Best Musical and Best Play, and no movie stars up for any awards, hit an all-time low 1.0, the lowest rating of the night except for FOX anima...
by Mitch Salem
 

 

 

THE SKED: Early Sunday Cable Ratings

No one will ever confuse the ratings for MAD MEN with those of TRUE BLOOD, but it was the former moving in the right direction with its season finale last night.  The Season 5 finale was the show’s highest rated, with wh...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Longmire”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Bunheads”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem