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SHOWBUZZDAILY BROADWAY REVIEW: “Nice Work If You Can Get It”

> The Producers may have been both the best and worst thing ever to happen to Matthew Broderick.  He started his career in the mid-1980s as a fairly smooth, smart-aleck teen mouthpiece for Neil Simon in Brighton Beach Memo...
by Mitch Salem
 
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Articles

THE SKED PREMIERE REVIEW: “The Firm”

> THE FIRM:  Thursdays 10PM on NBC – Change the Channel THE FIRM isn’t NBC’s #1 priority for midseason–that would clearly be Smash.  (In other news, there’s no truth to the rumor that NBC...
by Mitch Salem
 
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Articles

Behind the Weekend Box Office – 3/30/14

  This weekend was fine… but just wait till next week. OPENINGS:  Polarizing, controversial, dark, revisionist, divisive–and a hit.  NOAH (Paramount/Regency) took in $44M in the US this weekend after a 16% Sa...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY’s State of the Studio: Warner Bros.

  We’re continuing our midsummer look at how Hollywood’s studios are faring in 2013.  Yesterday we scrutinized Disney, and today our gaze is fixed on Warner Bros. It’s been a tumultuous summer at Warners...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 5/29/16

  OPENINGS:  As we forecast on Friday night, X-MEN: APOCALYPSE (TSG/20th) isn’t just running lower than 2014’s Days of Future Past, it’s also been more frontloaded.  20th is projecting a $65M 3-day week...
by Mitch Salem
 
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THE BIJOU REVIEW: “J. Edgar”





Our Review / 5 - Terrible
by Mitch Salem
0
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Articles

THE SKED’S SUNDAY NETWORK SCORECARD – 3/24/13

  CBS:  From Mitch Metcalf:  The regular CBS Sunday schedule is on a 45-50 minute slide.  The NCAA tournament ran over to about 7:50 pm (North Carolina vs Kansas).  The 3.8 adult 18-49 rating shown above is an adjusted...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 3/16/12

> Maybe JOHN CARTER should have starred Jonah Hill. OPENINGS:  21 JUMP STREET (Sony) got off to a great start, with a $13.1M Friday that should get it to around $35M for the weekend.  Expect a quick announcement that ...
by Mitch Salem
 
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Reviews

THE SKED SEASON FINALE REVIEW: “Psych”

  Tonight’s Season 7 finale of PSYCH promised at least a bit of a shake-up for Season 8, and even though it looks to be less extreme than it should have been and likely just temporary, it’s welcome.  7 seasons...
by Mitch Salem
 
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Other

THE SKED REVIEW: SNL With Jeremy Renner

  For the most part, the cast, writers and even the crew of SATURDAY NIGHT LIVE seemed to have taken off for their holiday break a week early, leaving the worst episode of the season (so far) behind.  The only saving grac...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 2.11.2018

  OPENINGS:  FIFTY SHADES FREED (Perfect World/Universal) declined a mild 17% from Fifty Shades Darker to $38.8M, suggesting that Freed will end up around $95M in the US  That wouldn’t be great compared to roughly ...
by Mitch Salem
 
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Pilot Reports

THE SKED SERIES PREMIERE REVIEW: “Siberia”

  SIBERIA:  Monday 10PM on NBC-Worth A Look SIBERIA holds onto its conceit for a very long time.  Until the closing minutes of tonight’s series premiere, the show presents itself as being what it’s pretending...
by Mitch Salem
 
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Articles

BEHIND THE FRIDAY BOXOFFICE – 12/28/12

  OPENINGS:  LES MISERABLES (Universal) fell behind DJANGO UNCHAINED (Weinstein/Sony) for the first time on Friday, because Les Miz was up only 3% from Thursday, while Django rose more impressively by 17%.  Both should ...
by Mitch Salem
 
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Articles

Box Office Footnotes and Weekend Review Roundup – 4/8/11

> Hop and Universal should enjoy this weekend while it lasts:  on Friday, the 3D Rio arrives and that’s probably the end of Hop‘s big numbers. As Mitch Metcalf explained elsewhere on this page, the agents for R...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Season Finale Review: “Under the Dome”

  UNDER THE DOME went rather bonkers in its second season, apparently flummoxed by the fact that it existed at all.  Dome had originally been conceived as a limited summer series that, like the Stephen King novel which in...
by Mitch Salem
 
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