Author Archive
 

 

Behind the US/Worldwide Weekend Box Office – 6.9.2024

  OPENINGS:  Hollywood breathed a collective sign of relief as BAD BOYS: RIDE OR DIE (Columbia/Sony) arrived moderately above expectations with $56M.  That was down just 10% from 2019’s Bad Boys For Life (although ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Finale Review: “Recovery Road”

  One never knows, but the rebranding of its network probably doesn’t bode well for RECOVERY ROAD.  The recently-renamed Freeform, which has over the last few months canceled Chasing Life and Switched At Birth, whil...
by Mitch Salem
 

 

 

“The Hunger Games” Box Office Track

  We’re just a few hours away from the launch of THE HUNGER GAMES: MOCKINGJAY PART I (Lionsgate) in over 4000 US theatres, not to mention 85 overseas territories (basically worldwide, with the exceptions of ChinaR...
by Mitch Salem
 

 
 

THE SKED Pilot + 1 Review: “Sean Saves the World”

  SEAN SAVES THE WORLD:  Thursday 9PM on NBC Previously… on SEAN SAVES THE WORLD:  When gay dad Sean’s (Sean Hayes) ex-wife moves out of town for a new job, Sean becomes single dad to 14-year old Ellie (Saman...
by Mitch Salem
 

 

 

OSCARS MINUS 3: Second Choice

  The odds-on favorite for this year’s Best Director Oscar can’t win. There’s little doubt at this point that if Ben Affleck had only been nominated for Best Director this year, he would have run away wit...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: “Miss Bala” Drops The Ball, “Glass” & “The Upside” Top Dim Super Bowl Weekend

  MISS BALA (Columbia/Sony) is the only new opening this Super Bowl weekend, but it’s failing to take advantage of its status.  Deadline‘s preliminary numbers have Miss Bala‘s opening day at $2.7M ($650K...
by Mitch Salem
 

 

 

THE SKED FALL PILOT REPORT: CBS’s “Vegas”

  VEGAS:  Tuesday 10PM on CBS – Potential DVR Alert VEGAS is CBS’s version of swinging for the fences, which is to say that it can also be seen as a neon-lit, gold-edged version of Longmire.  This time the wi...
by Mitch Salem
 

 
 

THE SKED’S FRIDAY NETWORK SCORECARD – 3/16/12

> Basketball. CBS:  On a night when the other networks mostly didn’t choose to compete, some enormous upsets in the NCAA TOURNAMENT gave CBS a slam-dunk victory for the night with a (preliminary) 2.2, way higher than...
by Mitch Salem
 

 

 

THE SKED Pilot Review: “Power”

  POWER:  Saturday 9PM on Starz After its long respite in the past with the likes of The White Queen, Da Vinci’s Demons, Dancing On the Edge and Magic City, Starz returns to the 21st Century with the new POWER, a dr...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Avengers”

  THE AVENGERS:  Worth A Ticket – A Fun Summer Movie, No More Or Less   It’s easy to forget that THE AVENGERS is, you know, a movie.  It’s perhaps the ultimate example of corporate intellectual pro...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 2.11.2018

  OPENINGS:  FIFTY SHADES FREED (Perfect World/Universal) declined a mild 17% from Fifty Shades Darker to $38.8M, suggesting that Freed will end up around $95M in the US  That wouldn’t be great compared to roughly ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Grudge Match”

  GRUDGE MATCH:  Watch It At Home – Far From A Knock-Out 1976 was the year of both Taxi Driver and Rocky.  Sylvester Stallone would go on to make innumerable millions, but he’d never be taken as seriously ag...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Melancholia”

    MELANCHOLIA – Watch It At Home – The Title Tells the Tale   Here’s a quick primer in Oscar rules and how studios can get around them.  In order for a film to be Oscar-eligible (other than i...
by Mitch Salem
 

 
 

THE SKED’S MONDAY NETWORK SCORECARD – 12/5/11

> For CBS on Mondays, the other networks can huff and puff and put specials on the air, but they can’t blow The Eye’s house down. CBS:  Against atypical competition almost across the board, all their hits were ...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Prime Suspect”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem