Author Archive
 

 

Behind the Friday Box Office – 2/28/14

  OPENINGS:  NON-STOP (Universal) had the Friday lead with $10M, but that doesn’t mean it’ll take the weekend.  In any case, Universal’s investment will pay off handsomely–it covered only $12M of ...
by Mitch Salem
 

 
 

OSCARLAND: Why and Why Not? – Best Picture

  We’ve taken a tour through Best Actress and Best Actor, Best Supporting Actor and Best Supporting Actress, and Best Director, and that leaves one last major gold statue to be handed out.  As we have all along, we ...
by Mitch Salem
 

 

 

OSCARLAND: Why and Why Not?

  Here are links to all our Oscarland “Why and Why Not” pieces, running through the rationales for and against all the nominees in the major Academy Award categories: Best Picture Best Director Best Actor Best ...
by Mitch Salem
 

 
 

OSCARLAND: SHOWBUZZDAILY’s Complete and “Final” Oscar Predictions

  The following are my final predictions for the 2014 Academy Awards (you can find a much more detailed analysis for all the major categories in our Why and Why Not? posts).  Keep in mind:  (a) I’m often wrong, (b)...
by Mitch Salem
 

 

 

OSCARLAND: Independent Spirit Awards

  And the winners were… 12 Years A Slave, Matthew McConaughey, Cate Blanchett, Jared Leto, Lupita Nyong’o… Hey, wait a minute.  Aren’t the Oscars tomorrow night? There was a time when the Independe...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Saturday Night Live” with Jim Parsons

  SATURDAY NIGHT LIVE was pushed off the air for a solid month by the Winter Olympics, and then by 15 more minutes in the east tonight by an NHL game in primetime–not the kind of thing that pleases Generalissimo Lorn...
by Mitch Salem
 

 

 

THE SKED Series Premiere Review: “Those Who Kill”

  THOSE WHO KILL:  Monday 10PM on A&E – Worth A Look It has the accoutrements of a basic cable crime drama–the heroes are seriously screwed-up, and occasionally say “shit”–but THOSE WHO K...
by Mitch Salem
 

 
 

BEHIND THE WEEKEND BOX OFFICE – 3/2/14

  OPENINGS:  NON-STOP (Universal) had a very solid Saturday, rising 22% from Friday, and even though Oscar Sunday may push it below the $30M weekend it’s currently projecting, it should comfortably take the weekend....
by Mitch Salem
 

 

 

OSCARLAND: Post-Mortem on Hollywood’s Yearly Selfie

  The only thing more boring than a typical Oscars is one without surprises, and the closest thing to a major upset this year turned out to be Disney’s loss in the Best Animated Short category.  (The studio almost i...
by Mitch Salem
 

 
 

UPDATED: THE SKED SUNDAY CABLE/NETWORK SCORECARD – 3/2/14

  SUNDAY UPDATE:  In final FINAL numbers, THE ACADEMY AWARDS gained an extra 0.2 to 13.1, which although tiny as a percentage of total rating, was gratifying to the Academy and ABC, because it pushed the telecast 0.1 abov...
by Mitch Salem
 

 

 

NIELSENWAR: ABC Enjoys Its Week In the Sun

  Thanks mostly to last night’s ACADEMY AWARDS, ABC enjoyed one of its very few weekly wins of the season.  The network was at 3.34 last week, up a huge 2.23 from the week before, while NBC was at 1.79 (down a massi...
by Mitch Salem
 

 
 

NIELSENWAR: Meanwhile, on Cable…

  ABC had a very good hour on Sunday with its successful launch of Resurrection, but that still couldn’t compare to an entire night of Oscar coverage the previous week, so the network was down by more than 50% this t...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Almost Human”

  The final scene of ALMOST HUMAN‘s season typified what a behind-the-scenes mess the entire run had been.  The occasion was a sequence where human police detective circa 2048 John Kennex (Karl Urban) and his cyborg...
by Mitch Salem
 

 
 

THE SKED: FOX Retreats, Shifts “American Idol”

  AMERICAN IDOL used to be the school bully; now it cringes in the network equivalent of the assistant principal’s office.  FOX announced today that as of March 13, Idol is fleeing its Big Bang Theory competition an...
by Mitch Salem
 

 

 

THE SKED Season Premiere Review: “Bates Motel”

  BATES MOTEL:  Monday 9PM on A&E BATES MOTEL has lit up its Vacancy sign for a second season, and it’s retained its particular blend of soap, black comedy and horror thriller.  The strength of Bates is that ev...
by Mitch Salem