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UPDATED: THE SKED NETWORK/CABLE SCORECARD – 11/7/13

  AFTERNOON UPDATE:  With the NFL game factored out, the entire NBC line-up fell.  THE VOICE dropped 0.2 to 2.5, SEAN SAVES THE WORLD by 0.3 to 1.4, and THE MICHAEL J. FOX SHOW by 0.3 to a dire 1.0.  PARENTHOOD fell 0....
by Mitch Salem
 

 
 

SHOWBUZZDAILY’s Sunday 5.1.2022 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS ABC:  Once again boosted by an NFL Playoffs lead-in, AMERICA’S FUNNIEST HOME VIDEOS rose 0.09 from its last new episode to 0.81.  AMERICAN IDOL jumped 0.13 to 0.92, and THE ROOKIE was up 0.12 to ...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “The Substance” & “Nutcrackers”

THE SUBSTANCE (MUBI – Sept. 20):  It’s quite a feat to take the body horror crown at a film festival that also features a contribution from David Cronenberg, but Coralie Fargeat’s The Substance uses its revo...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: “Ultron” Still Huge But Sub-“Avengers”; “Hot Pursuit” Flops

  AVENGERS: AGE OF ULTRON (Marvel/Disney) continues to be a monstrous hit–but not as monstrous as expected.  Based on preliminary numbers at Deadline, its 2d Friday will be $21.9M, down 74% from last Friday’s ...
by Mitch Salem
 

 

 

EARLY WEEKEND BOX OFFICE: “Maleficent” Loses A Bit of Magic, “A Million Ways” Still Dead

  Based on preliminary numbers at Deadline and elsewhere, MALEFICENT (Disney) gained just 6% on Saturday from its Friday start, not a great bump for a family movie, giving it around $25.5M on Saturday and a weekend that no...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Peace, Love & Misunderstanding”

> I wasn’t aware that the Toronto Film Festival showed TV pilots until I caught a screening of PEACE, LOVE & MISUNDERSTANDING.  As a pilot, Peace certainly has its appeal, with a strong cast that includes Jane Fo...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office 4.30.2023

  OPENINGS:  History seems to be repeating itself for filmmaker Kelly Fremon Craig, whose extremely well-reviewed ARE YOU THERE GOD?  IT’S ME, MARGARET (Lionsgate) opened with a soft $6.8M (and that studio estimate...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 11.20.2022

  OPENINGS:  The $9M start for THE MENU (Searchlight/Disney) was below the $10.1M launch of Barbarian–and The Menu cost about $20M more to produce.  Combine that with the fact that The Menu is really more of a very...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOXOFFICE – 12/23/12

  A fairly sturdy set of Saturday numbers firmed up the weekend a bit, but the start of the holiday movie season is still just mediocre. OPENINGS:  JACK REACHER (Paramount) had a 13% Saturday bump and is predicting an 18...
by Mitch Salem
 

 
 

The Sked: PROMO WATCH — Tuesday October 11 Update

>ShowBuzzDaily’s PROMO WATCH shows that FOX really has to suffer through the Postseason.  Last night FOX had to air two 30-second generic promos for the Postseason itself (no days and times mentioned, just FOX and TB...
by Mitch Salem
 

 

 

NIELSENWAR 2014-15 Trailer Review: “Empire”

  EMPIRE:  Midseason TBD on FOX THE FACTS:  Think Nashville, but with a hip-hop beat and an A-level pedigree.  Music tycoon Lucious Lyon (Terrence Howard) is dying–although not just yet–and has to decide who...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 10/2/13

  OPENINGS:  The studio-reported $28.5M weekend for Tim Burton’s MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) is below the $29.7M opening for Burton’s flop Dark Shadows.  Miss Peregrine cost l...
by Mitch Salem
 

 

 

THE SKED: New Fall Show On-Air Promotion — Update through August 8

>With network on-air promotion activity tracked in hit summer shows (those at or above a 2.0 Adult 18-49 rating) for about three weeks since mid-July, the networks’ promotional priorities are summarized below. FOX continu...
by Mitch Salem
 

 
 
 
 
 
 
 
by Mitch Salem
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SHOWBUZZDAILY SUNDANCE REVIEW: “God’s Pocket”

  Of all the titles in this year’s Sundance US Dramatic Competition line-up, none may have been more promising on paper than GOD’S POCKET.  Based on a novel by Pete Dexter, it marked the feature directing debu...
by Mitch Salem