Author Archive
 

 

THE SKED’S SUNDAY NETWORK SCORECARD – 4/7/13

  The night belonged to country music.   CBS:  With virtually no competition on any other network, the ACADEMY OF COUNTRY MUSIC AWARDS romped to a 4.3, easily winning the night and up from 3.1 last year.  However, w...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Mad Men”

  MAD MEN:  Sunday 10PM on AMC And still–there’s MAD MEN.  Even in an era of unparalleled TV drama, nothing else on the air is quite like Matthew Weiner’s masterwork, a TV series that simply isn’t...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “House of Lies”

  Showtime’s HOUSE OF LIES was a bit more ambitious in its second season, and that was a good move, even if the results were uneven.  In its initial season, House was all too clearly a companion piece for Californic...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Californication”

  In its sixth season, Showtime’s CALIFORNICATION barely tried to achieve forward motion.  Every year, occasional novelist and full-time satyr Hank Moody (David Duchovny) toys with reform (which barely lasts an epis...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Shameless”

  In the post-Homeland era of Showtime, SHAMELESS, the network’s Parenthood on crack, has been pushed even farther to the background–and to be sure, the two shows aren’t comparable in terms of seriousness...
by Mitch Salem
 

 
 

BEHIND THE WEEKEND BOXOFFICE – 4/7/13

  OPENINGS:  EVIL DEAD (TriStar/Sony/FilmDistrict) took the weekend with $26M, and even though, based on Sunday results for other recent horror movies, that number may drop a bit with final figures tomorrow, it should en...
by Mitch Salem
 

 

 

THE SKED: “Smash” Moves to Saturdays

  If there were any die-hards out there still nursing some flicker of hope that SMASH could survive its move to the basement of network television on Saturday nights, the ratings for its debut (which featured a fairly pain...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Saturday Night Live” with Melissa McCarthy

  SATURDAY NIGHT LIVE usually benefits from having a host with the confident comic talent that Melissa McCarthy brings to the table, but even with a 3-week hiatus in its pocket, the writing staff came up with little that w...
by Mitch Salem
 

 

 

EARLY WEEKEND BOXOFFICE: “Evil Dead” Casts Its Spell

  Early Saturday boxoffice numbers at Deadline show no great surprises for the weekend’s offerings.  Any hope that EVIL DEAD (TriStar/Sony/FilmDistrict) would have the staying power of a Mama faded with the demon-fi...
by Mitch Salem
 

 
 

THE SKED PREMIERE + 1 REVIEW: “Orphan Black”

  ORPHAN BLACK:  Saturday 9PM on BBCAmerica The second hour of BBCAmerica’s ORPHAN BLACK continued to keep up the pace while gradually revealing its secrets.  The very hardworking Tatiana Maslany this time got to a...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Evil Dead”

  EVIL DEAD:  Watch It At Home – Plenty of Icky, Not So Much Scary A slick, Hollywood-budgeted remake of Sam Raimi’s 1981 EVIL DEAD (actually there was a ‘the” in front of that one, the definite ar...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOXOFFICE – 4/5/13

  OPENINGS:  Saturday will tell the tale on EVIL DEAD (TriStar/FSony/FilmDistrict).  Its $11.9M Friday was stronger than the $10.1M/10.2M starts for The Texas Chainsaw Massacre 3D and Mama earlier this year (although it...
by Mitch Salem
 

 

 

THE SKED’S FRIDAY NETWORK SCORECARD – 4/5/13

  Vegas doesn’t travel well. CBS:  It’s probably time for VEGAS to cash in its chips after a weak 0.9 Friday debut.  The number was particularly ugly because the shows that surrounded it, UNDERCOVER BOSS and ...
by Mitch Salem
 

 
 

EARLY FRIDAY BOXOFFICE: “Evil Dead” Possesses Ticket Buyers

  Preliminary numbers at Deadline have the remake of EVIL DEAD (TriStar/Sony/FilmDistrict) on track for a solid weekend win, with $11.5M on Thursday night/Friday and a probable front-loaded weekend in the mid $20Ms.  That...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Trance”

  TRANCE:  Watch It At Home – Tricky But Unsatisfying Thriller From Danny Boyle TRANCE is both extremely clever and remarkably stupid.  I wish I could explain exactly how, but Danny Boyle’s thriller, written ...
by Mitch Salem