Author Archive
 

 

Behind the Friday Box Office – 1/10/14

  OPENINGS:  The only question for LONE SURVIVOR (Universal) to ponder as all concerned count their entirely unexpected riches this weekend (a $14.4M Friday and a weekend that could hit $40M) is whether they miscalculated...
by Mitch Salem
 

 
 

THE SKED Series Premiere Review: “Playing House”

  PLAYING HOUSE:  Tuesday 10PM on USA – If Nothing Else Is On… Created by and starring real-life best friends Jessica St. Clair and Lennon Parham, PLAYING HOUSE is, as sisterhood comedies created by and starri...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “Finding Carter”

  MTV’s FINDING CARTER is another high-concept series challenged by its concept losing some of its height.  The original impetus for the story was teenager Carter (Kathryn Prescott) being rescued from a kidnapping a...
by Mitch Salem
 

 
 

THE SKED’S TUESDAY NETWORK SCORECARD – 2/28/12

> Did PARENTHOOD buy itself another season? NBC:  Creatively, PARENTHOOD‘s season finale wasn’t the show at its best (too many storyline conclusions crammed into too little time).  But its 1.9 rating built...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY MOVIE REVIEW: “Pain and Gain”

  PAIN AND GAIN:  Watch It At Home – Michael Bay On a Small Scale is Still Michael Bay There’s an almost meta strain that runs through Michael Bay’s PAIN AND GAIN, and you have to wonder, watching it, ho...
by Mitch Salem
 

 
 

THE BOXOFFICE GAMES BEGIN: “Hunger Games” At Midnight

> THE HUNGER GAMES has an excuse. Last night at midnight, The Hunger Games began its long-awaited run in theatres by grossing $19.7M.  Which is, by any estimation, a lot of money–the most ever earned by a non-sequel,...
by Mitch Salem
 

 

 

THE SKED Midseason Finale Review: “The Fosters”

  Almost every quality series, at one point or another, takes a wrong turn (remember the Friday Night Lights murder storyline?); the mark of one with staying power is whether it can bounce back.  THE FOSTERS was in danger...
by Mitch Salem
 

 
 

UPDATED: SHOWBUZZDAILY’s Top 150 Tuesday Cable Originals & Network Finals: 1.3.2017

        NETWORK FINALS:  There were no changes from the preliminary numbers.         Broadcast Official Nationals Program Ratings Chart     CABLE HIGHLIGHTS:  History’s CURS...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto 2014 Review: “The Judge”

  THE JUDGE (Warners) – Opens October 10 – Watch It At Home Since the first Iron Man opened, Robert Downey Jr. has been one of the world’s biggest (and wealthiest) stars.  But he hasn’t used his su...
by Mitch Salem
 

 
 

SHOWBUZZDAILY WEDNESDAY NETWORK SCORECARD 8.17.2016 — with OLYMPIC UPDATE

  A steep Night 12 drop brought the OLYMPICS to a new low. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 r...
by Mitch Salem
 

 

 

The Sked: Sunday Network Scorecard 4.2.2017

  LITTLE BIG SHOTS took a particular hit on a slow night. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ra...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: ‘Harry Potter and the Goblet of Fire”

  Pending the arrival of this week’s finale, Mike Newell’s 2005 HARRY POTTER AND THE GOBLET OF FIRE may be, on balance, the most satisfying of the series.  It combines first-rate moviemaking with one of J.K. R...
by Mitch Salem
 

 

 

THE SKED SERIES PREMIERE REVIEW: “Motive”

  MOTIVE:  Thursday 9PM on ABC – Change the Channel It’s a paradoxical truth that when TV’s “summer” begins, cable networks get adventurous and creative, and the US broadcast networks get gen...
by Mitch Salem
 

 
 

Behind the Weekend Box Office – 3/16/14

  As Hollywood becomes more and more dependent on action and animation franchises, the US market becomes increasingly less relevant. OPENINGS:  NEED FOR SPEED (DreamWorks/Disney) made more money in China ($21.2M) on its o...
by Mitch Salem
 

 

 

BROADWAY JOURNAL: “War Horse” and “Jerusalem”

> For a new play, WAR HORSE has strong movie connections.  The play is adapted for the stage by Nick Stafford from the 1982 novel by Michael Morpurgo, and that novel is also the basis of Steven Spielberg’s upcoming f...
by Mitch Salem