Author Archive
 

 

THE SKED SERIES FINALE REVIEW: “90210”

  To say that in its fifth and final season 90210 was running on fumes would be to disparage fumes.  The show, after a very bumpy start in which it ran through several developers and showrunners and tried far too hard to ...
by Mitch Salem
 

 
 

THE SKED: ABC Season Finales

  The gang’s all here, now that ABC has joined NBC, CBS, FOX and CW and announced the dates of its season finales.  Here’s the rundown: WEDNESDAY MARCH 27 8:30PM:  The Neighbors WEDNESDAY APRIL 17 8PM:  Sub...
by Mitch Salem
 

 

 

THE SKED NETWORK SCORECARD – 10/1/13

  So much for superpowers. ABC:  AGENTS OF SHIELD took one of the ugliest Week 2 dives in recent memory, plummeting a horrific 1.6 from last week’s premiere to a very mortal 3.1 rating.  That pulled the rug out from un...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Boy Erased” & “Vita & Virginia”

  BOY ERASED (Focus/Universal – November 2):  Joel Edgerton’s film is the second of the year concerning gay conversion therapy, and its tone is far more conventional than The Miseducation of Cameron Post.  Lu...
by Mitch Salem
 

 

 

THE SKED’S 2012/13 FIRST CUT: FOX Needs & Possibilities

> Welcome to April:  pilots are being produced and prepared for executive screenings, all but a very few of the 2011/12 series have aired, and we’re only 6 weeks away from the hoopla of the network Upfronts and their...
by Mitch Salem
 

 
 

THE SKED: Friday Ratings – Network Scorecard – 9/23/11

> It was a sleepy first Friday for premiere week. CBS:  The network’s marketing team doesn’t have all that much to boast about this week:  2 Broke Girls had a monster opening, but that was because of its e...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 1.30.2022

  OPENINGS:  Pedro Almodovar’s PARALLEL MOTHERS (Sony Classics) expanded to wide release at 684 theaters in anticipation of the Oscar nominations that are little more than a week away, but its $300K weekend translat...
by Mitch Salem
 

 
 

COUNTING TO 10: The Emmy Nominations

> The Emmys, of all show-business awards, lend themselves least to surprise.  That’s because they’re the only group that nominate and award continuing series, meaning that the same high-quality shows repeat yea...
by Mitch Salem
 

 

 

SHOWBUZZDAILY BOXOFFICE: Early Tuesday “Spider-Man” Numbers

  Deadline is reporting that THE AMAZING SPIDER-MAN (Sony) has set a new all-time Tuesday record with $32-35M, beating previous record-holder Transformers, the last movie to open on a Tuesday that fell on July 3, which had...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Stitchers”

  STITCHERS:  Monday 9PM on ABCFamily – Change the Channel These are high times for those who can’t get enough of TV shows about young women who solve crimes by entering the memories of the recently deceased ...
by Mitch Salem
 

 

 

THE SKED’S MONDAY NETWORK SCORECARD – 9/2/13

  For the most part, Labor Day brought the networks some modest increases. ABC:  MISTRESSES may be gaining some momentum at the right time, as its 2d try at 9PM (and penultimate episode of the summer) increased a healthy ...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Ben and Kate”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 5/15/16

  OPENINGS:  MONEY MONSTER (TriStar/LStar/Sony) held up well over the course of the weekend, thanks to an older audience that doesn’t rush out on Friday nights, and tripled its opening day to a $15M weekend total. ...
by Mitch Salem
 

 
 

YOUR HIGHNESS: Ye Olde Disaster

> Not Even For Free Let’s give a little love to the devious people at Universal who cut the trailers.  The masterminds behind the red-band for YOUR HIGHNESS managed to find, in its 102 dull minutes, roughly 3 and a h...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Review: “The Farewell”

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s...
by Mitch Salem