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SHOWBUZZDAILY SUNDAY NETWORK SCORECARD – 1.27.2019

  RENT wasn’t particularly live in any respect. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 an...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “To The Stars” & “Sister Aimee”

  TO THE STARS (no distrib):  Tales of small-town outcasts are a regular feature at Sundance, and Martha Stephens’ drama is an accomplished example of the genre.  Shannon Bradley-Colleary’s script is set in ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “The Sunlit Night” & “Wounds”

  THE SUNLIT NIGHT (no distrib):  The last thing one would have expected from the director of the genuinely scabrous Wetlands was a follow-up that seems to trying to meld NY Jewish comedy with the kind of enchanted romcom...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 1.28.2019

  THE PASSAGE continued downward. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), au...
by Mitch Salem
 
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Articles

EARLY FRIDAY BOX OFFICE: “Miss Bala” Drops The Ball, “Glass” & “The Upside” Top Dim Super Bowl Weekend

  MISS BALA (Columbia/Sony) is the only new opening this Super Bowl weekend, but it’s failing to take advantage of its status.  Deadline‘s preliminary numbers have Miss Bala‘s opening day at $2.7M ($650K...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “The Report” & “Them That Follow”

  THE REPORT (Amazon):  Scott Z. Burns’s political expose is important and engrossing, but it’s composed of so much exposition that it may have trouble finding a mainstream audience.  (Which made Amazon’...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY FRIDAY NETWORK SCORECARD – 2.1.2019

  Small increases and drops. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audienc...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Blinded By The Light” & “Judy and Punch”

  BLINDED BY THE LIGHT (New Line/Warners):  Sundance was somewhat awash in feel-good movies this year, which is unusual but not unprecedented.  One of the most successful in previous years was 2002’s Bend It Like B...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Brittany Runs A Marathon” & “Big Time Adolescence”

  BRITTANY RUNS A MARATHON (Amazon):  Paul Downs Colaizzo, previously a playwright, makes a remarkably assured film writing/directing debut with Brittany Runs a Marathon, which features a breakout star performance by Jill...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “State Of the Union” & “Fighting With My Family”

  STATE OF THE UNION (Sundance Channel):  The lines between narrative visual media continue to blur, and State Of the Union is an A-list talent contribution to a genre that doesn’t exactly exist yet.  It’s a ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Official Secrets” & “Greener Grass”

  OFFICIAL SECRETS (IFC):  Film festivals have a way of creating unintended double features when thematically similar films are seen in close proximity, and it’s hard to watch Gavin Hood’s Official Secrets wit...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 2.3.2019

  OPENINGS:  It’s possible to make money on Super Bowl weekend, as hits like Dear John ($30.5M), Taken ($24.7M) and Chronicle ($22M) have shown.  But MISS BALA (Columbia/Sony) didn’t have what it takes, with ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Luce” & “Sonja: The White Swan”

  LUCE (Neon):  Julius Onah’s film was one of the most gripping and provocative of the festival, combining a tale about social and racial tensions with the suspense of a psychological thriller.  Based by director J...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Late Night” & “Paradise Hills”

  LATE NIGHT (Amazon):  It’s legitimate to note that the thoroughly mainstream and commercial Late Night belonged at Sundance just about as much as The Devil Wears Prada would have, since to a large extent it transp...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Review: “The Farewell”

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s...
by Mitch Salem
 
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