Author Archive
 

 

THE SKED’S SEASON PREMIERE REVIEW: “Raising Hope”

  RAISING HOPE:  Tuesday 8PM on FOX WHERE WE WERE:  The town of Natesville, where the Chance clan–Jimmy (Lucas Neff), mom Virginia (Martha Plimpton), dad Burt (Garret Dillahunt) and ancient Maw-Maw (Cloris Leachman...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Boyhood”

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would l...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Series Premiere Review: “The Brink”

  THE BRINK:  Sunday 10:30PM on HBO – If Nothing Else Is On… THE BRINK will make you appreciate the precision and verbal dexterity of Veep.  Actually, although it’s an HBO political satire, The Brink ge...
by Mitch Salem
 

 
 

THE SKED Fall Pilot Report: FOX’s “Sleepy Hollow”

  Read All Our Fall Pilot Reports here. SLEEPY HOLLOW:  Monday 9PM on FOX – If Nothing Else Is On… For what’s supposed to be an original series, SLEEPY HOLLOW feels awfully familiar.  Part of it, of cou...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.13.2022

  OPENINGS:  Despite being limited to 2 Saturday shows at 803 theaters, the (tape-delayed) live concert movie BTS: PERMISSION TO DANCE (Trafalgar) earned $6.8M at the US box office.  Even with an average $35 ticket price...
by Mitch Salem
 

 
 

THE SKED: “Sleepy Hollow” Keeps Its Head For Another Season

  The first back order of the 2013-14 TV season… is a renewal. SLEEPY HOLLOW was only intended to run half a season this year, splitting the Monday 9PM timeslot with the return of The Following, and since it’s ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Premiere Review: “Suits”

  SUITS:  Wednesday 9PM on USA 7 seasons ago, Aaron Korsh’s SUITS was introduced by USA Network as the story of a young con man with a photographic memory named Mike Ross, hired by flashy New York lawyer Harvey Spec...
by Mitch Salem
 

 
 

The Sked: Tuesday Ratings 11.15.2016

  NOTE:  due to Election Day, the World Series and other preemptions, comparisons in the text are to prior Tuesdays. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary ...
by Mitch Salem
 

 

 

THE BIJOU REVIEW “The Descendants”

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which w...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Incorporated”

  INCORPORATED:  Wednesday 10PM on Syfy – Change the Channel INCORPORATED is one of Syfy’s periodic big swings.  Although produced in Canada, it’s backed by the CBS and Syfy in-house studios, rather t...
by Mitch Salem
 

 

 

BEHIND THE FRIDAY BOXOFFICE: 4/26/13

  OPENINGS:  PAIN & GAIN (Paramount) is a “relationship” movie, not in the sense of the relationships between the movie’s characters (oh God, no), but the relationship between the studio and its dire...
by Mitch Salem
 

 
 

THE SKED SERIES FINALE REVIEW: “Touch”

  If there was a way to turn its premise into a TV series worth watching, TOUCH didn’t find it.  The show tried very different approaches in its two seasons, but FOX’s cancellation notice this week closed the ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE WATCH: The Girl With the “Homeland” Tattoo

> WARNING:  Spoilers Abound That expelled breath heard around the country this evening was a collective sigh of relief:  HOMELAND‘s season finale didn’t collapse.  On the contrary, it delivered a sati...
by Mitch Salem
 

 
 

THE SKED’S BUSTED PILOT THEATRE: “Poe”

> See A Word About Busted Pilots We round out our survey of some of the more notable busted pilots of the season with the distinctive POE, produced by Warner Bros Television for ABC and written by Chris Hollier (a former writer...
by Mitch Salem
 

 

 

WEDNESDAY BOX OFFICE: “We’re The Millers” and “Percy Jackson” Start Fairly Well

  America’s summer love for R-rated comedies and YA action-adventure sequels isn’t quite over yet.  WE’RE THE MILLERS (Warners) got off to a creditable start with $6.8M on Wednesday (including $1.7M from...
by Mitch Salem