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WEEKDAY BOX OFFICE UPDATE APR 25-26:

>The magic number for mid-week box office (Monday-Tuesday combined) is 20% of the opening weekend, an indicator of better than average long-term playability.  Based on Monday-Tuesday’s numbers, Madea’s Big Happ...
by Mitch Salem
 
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REMINDER: SIGN UP FOR EMAIL ALERTS

>Don’t miss the latest movie news and reviews!  Please take a moment to sign up and get a daily email alert about new content posted on ShowbuzzDaily.DCCESG58N3BP Just enter your email address in the “Follow Us...
by Mitch Salem
 
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Boxoffice Footnotes – 4/22/11

>Among Tyler Perry movies that feature his Madea character, BIG HAPPY FAMILY is looking relatively weak, but it may have a big Easter Sunday. Other pictures likely to benefit from family crowds include RIO, HOP and SOUL SU...
by Mitch Salem
 
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FRIDAY APR 22 BOX OFFICE NUMBERS: Another Strong Weekend Led by Rio and Madea

> This is shaping up to be a VERY strong second weekend in a row at the box office.  Early box office numbers indicate strong performances by Rio and Hop, a solid opening for Madea, and an OK opening for Water for Ele...
by Mitch Salem
 
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WATER FOR ELEPHANTS: Not So Big Top

> Watch It At Home; A circus story that’s not the greatest show in the multiplex. Sometimes even a small moment in a movie can typify how it’s gone wrong.  There’s a scene fairly early in WATER FOR ELEPHA...
by Mitch Salem
 
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BROADWAY JOURNAL; “Catch Me If You Can”

>Steven Spielberg week on Broadway continues:  after War Horse, the director’s next film, we have CATCH ME IF YOU CAN, based on his 2002 comedy-drama (that film was written by Jeff Nathanson).   Spielberg&#...
by Mitch Salem
 
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BROADWAY JOURNAL: “War Horse” and “Jerusalem”

> For a new play, WAR HORSE has strong movie connections.  The play is adapted for the stage by Nick Stafford from the 1982 novel by Michael Morpurgo, and that novel is also the basis of Steven Spielberg’s upcoming f...
by Mitch Salem
 
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WEEKDAY BOX OFFICE UPDATE APR 18-19: Rio Blazes On

> UPDATE: The magic number for mid-week box office (Monday-Tuesday combined) is 20% of the opening weekend.  Based on Monday-Tuesday’s numbers, Rio came very close to hitting this number and is poised to see an upgra...
by Mitch Salem
 
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BROADWAY JOURNAL: “Anything Goes”

> Once there was a time when Broadway musicals didn’t have to say anything about society, politics, art, literature, or really much of anything.  They were exercises in style, excuses for glamorous people to get up o...
by Mitch Salem
 
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LIMITED RELEASE: “Henry’s Crime”

> Watch It At Home:  Petty larceny. Sometimes casting can be too good:  Keanu Reeves playing a guy who pretty much sleepwalks through his own life is practically redundant.  His whole style, from the very start o...
by Mitch Salem
 
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BROADWAY JOURNAL: “The Book of Mormon” and “The Mother____ With the Hat”

> As you see elsewhere on this page, ShowbuzzDaily isn’t just about movies.  And since, as it happens, Your Faithful Correspondent is in New York for the week, we’ll have a few days of thoughts about some of th...
by Mitch Salem
 
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COMING SOON to SHOWBUZZDAILY!

> Complete coverage of television’s biggest event: the new season’s Upfront presentations for advertisers! We’ll have complete night-by-night analysis of the fall schedules for each network, starting the week ...
by Mitch Salem
 
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Box Office Footnotes – 4/15/11

> Rio‘s domestic opening is a little soft, but the film has the advantage of facing no animated competition (aside from the minor Hoodwinked Too) until Kung Fu Panda 2 opens May 27. Plus it has its gangbuster foreign gros...
by Mitch Salem
 
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FRIDAY APR 15 NUMBERS: A Promising Weekends Turns Ho-Hum

> This was supposed to be the weekend that the 2011 slump started to turn around.  While $37.5 million and $19 million openings are usually nothing to sneeze at, the box office needed better performances to show incre...
by Mitch Salem
 
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SCRE4M: Meta Boo!

> Watch It At Home;  The thrills are so postmodern, they don’t seem to be happening in the theater. When the original Scream arrived in 1996, the slaughtering-the-teenagers genre was already old enough to drive; the ...
by Mitch Salem
 
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