Author Archive
 

 

THE SHOWBUZZDAILY REVIEW: “One For the Money”

    ONE FOR THE MONEY:  Not Even For Free – Another Heigl Misfire   Movie stars are, make no mistake, trademarks.  Consumers who invest in 2 hours of George Clooney or Will Smith expect the same kind of r...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Krypton”

  KRYPTON:  Wednesday 10PM on Syfy – Change the Channel With the engagingly odd exception of The Magicians, Syfy hasn’t had much luck with its big swings, and KRYPTON is unlikely to change that.  The network&...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Game of Thrones”

  Season 4 of HBO’s epic GAME OF THRONES had the good fortune to cover the back half of George R. R. Martin’s third novel in the series, “A Storm of Swords,” which is perhaps the most thrill-packed ...
by Mitch Salem
 

 
 

THE SKED: CBS

>Thoughts on CBS’s Schedule (and Our Predictions)CBS COMEDIESCBS DRAMAS ABC ANALYSIS     CBS ANALYSIS     NBC ANALYSIS     FOX ANALYSIS     CW ANALYSIS
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Haven”

  Not even HAVEN‘s worst enemy would have wished on the series its season finale experience of the past few weeks.  More serialized than ever before, the season was approaching its ending with a second-to-last episo...
by Mitch Salem
 

 
 

THE SKED’S THURSDAY NETWORK SCORECARD – 4/26/12

> Not at all the way the networks wanted May Sweeps to begin. NBC:  All the hype for 30 ROCK‘s live episode (a very busy half-hour with some great gags) and COMMUNITY‘s self-contained episode-long Law & Ord...
by Mitch Salem
 

 

 

THE SKED’S THURSDAY NETWORK SCORECARD – 4/18/13

  Hannibal‘s appetite wasn’t as strong last night. FOX:  After a slight surge last week, AMERICAN IDOL was back down to 2.9, a 0.3 drop and just slightly above its series low.  (And to add insult to injury, i...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: No Vacancy At “Hotel Transylvania 2,” Solid “Intern”

  HOTEL TRANSYLVANIA 2 (Columbia/Sony) is giving its beleaguered studio some good news, with a strong $12.8M opening day according to preliminary numbers at Deadline.  That’s better than the $11M start for the first...
by Mitch Salem
 

 

 

THE SKED: 1st Pre-Look At CBS’s New Comedies

>DISCLAIMER: These initial impressions are based on the clips (usually 3-5 minutes) released by the networks to use in their Upfront presentations and for promos.  They’re chosen to sell the show, not to accurately r...
by Mitch Salem
 

 
 

UPDATED: THE SKED CABLE/NETWORK TUESDAY SCORECARD – 7/8/14

  NETWORK UPDATE:  EXTREME WEIGHT LOSS gained 0.1 of poundage in final numbers.  However, both the CW reruns dropped by 0.1. TUESDAY CABLE:  Germany’s demolition of Brazil in the World Cup semifinals (ESPN) was the da...
by Mitch Salem
 

 

 

THE SKED’S BUSTED PILOT THEATRE: “Identity”

> See A Word About Busted Pilots IDENTITY is so clearly a Jerry-Bruckheimer-for-CBS procedural that it comes as a shock to realize that it was neither produced by Bruckheimer nor developed for CBS.  In fact, Mark Gordon...
by Mitch Salem
 

 
 

SHOWBUZZDAILY’s Wednesday 9.7.2022 Top 150 Cable Originals & Network Finals UPDATED w/ Broadcast Finals

  BROADCAST FINALS ABC:  Reruns at 0.26/0.20/0.22/0.19/0.20. CBS:  BIG BROTHER was steady at 0.81, and THE CHALLENGE was up 0.07 to 0.40, followed by a SWAT rerun at 0.24. NBC:  AMERICA’S GOT TALENT gained 0.05 to...
by Mitch Salem
 

 

 

UPDATED: THE SKED CABLE/NETWORK SCORECARD – 3/28/14

  MONDAY UPDATE:  There were several 0.1 adjustments, a couple of which are worth noting.  HANNIBAL’s increase was reduced by half when it lost 0.1 from early numbers, and HART OF DIXIE didn’t go up at all wh...
by Mitch Salem
 

 
 

THE SKED Pilot + 1 Review: “The Last Ship”

  THE LAST SHIP:  Sunday 9PM on TNT Previously… on THE LAST SHIP:  It’s taken just a few months for a new pandemic to decimate the world’s population, and half a million people are still dying every day...
by Mitch Salem
 

 

 

WEDNESDAY BOX OFFICE: “We’re The Millers” and “Percy Jackson” Start Fairly Well

  America’s summer love for R-rated comedies and YA action-adventure sequels isn’t quite over yet.  WE’RE THE MILLERS (Warners) got off to a creditable start with $6.8M on Wednesday (including $1.7M from...
by Mitch Salem