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Behind the US/Worldwide Weekend Box Office – 2.17.2019

  OPENINGS:  ALITA: BATTLE ANGEL (20th) squeezed everything it could out of its opening 2-holiday week, with paid preview screenings on Monday, Tuesday and Wednesday nights (totaling $2.4M) preceding its official Thursday...
by Mitch Salem
 
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Midseason Premiere

SHOWBUZZDAILY Series Premiere Review: “Proven Innocent”

  PROVEN INNOCENT:  Friday 9PM on FOX PROVEN INNOCENT is even worse than you might expect from a broadcast drama that premieres on a Friday in February.  The creator is David Elliot, whose previous scripts have mostly be...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 2.12.2019

  Due to last week’s State of the Union address, the last-minute postponement the week before that, and other preemptions, most 9-11PM comparisons (and some in the 8PM hour) are to 3 or 4 weeks ago. DEMOGRAPHIC DETAI...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 2.11.2019

  A bad night for BIG BROTHER: CELEBRITY EDITION. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25...
by Mitch Salem
 
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Articles

The Sked: Sunday Network Scorecard 2.10.2019

  The GRAMMY AWARDS slowed their decline. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 rati...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 2.10.2019

  OPENINGS:  THE LEGO MOVIE 2: THE SECOND PART (Warners Animation) had a solid 83% family matinee bump on Saturday, but its $34.4M weekend studio estimate is still down more than 50% from the opening of the original Lego ...
by Mitch Salem
 
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Articles

EARLY FRIDAY BOX OFFICE: “Lego Movie 2” Cracks, “What Men Want” & “Cold Pursuit” OK

  THE LEGO MOVIE 2: THE SECOND PART (Warners Animation) is looking like a textbook example of a studio watering down its own franchise.  Warners jumped into 2 spin-offs before even reaching its first official sequel, and ...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY WEDNESDAY NETWORK SCORECARD – 2.6.2019

  THE WORLD’S BEST didn’t rate that way. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 2.5.2019

  The STATE OF THE UNION Address aired on 4 networks, scoring highest on NBC. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographic...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY SUNDAY NETWORK SCORECARD – 2.3.2019

  The SUPER BOWL continued to slide. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings),...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Review: “The Farewell”

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Late Night” & “Paradise Hills”

  LATE NIGHT (Amazon):  It’s legitimate to note that the thoroughly mainstream and commercial Late Night belonged at Sundance just about as much as The Devil Wears Prada would have, since to a large extent it transp...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Luce” & “Sonja: The White Swan”

  LUCE (Neon):  Julius Onah’s film was one of the most gripping and provocative of the festival, combining a tale about social and racial tensions with the suspense of a psychological thriller.  Based by director J...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 2.3.2019

  OPENINGS:  It’s possible to make money on Super Bowl weekend, as hits like Dear John ($30.5M), Taken ($24.7M) and Chronicle ($22M) have shown.  But MISS BALA (Columbia/Sony) didn’t have what it takes, with ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Official Secrets” & “Greener Grass”

  OFFICIAL SECRETS (IFC):  Film festivals have a way of creating unintended double features when thematically similar films are seen in close proximity, and it’s hard to watch Gavin Hood’s Official Secrets wit...
by Mitch Salem
 
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