Author Archive
 

 

ShowbuzzDaily Sundance Film Festival Reviews: “Studio 54″” & “What They Had”

  STUDIO 54 (no distrib):  Matt Tynauer’s documentary covers all the bases of the disco that defined nightlife for a surprisingly brief time in the late 1970s, from the club’s construction on the site of an ol...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Film Festival Reviews: “American Animals” & “The Kindergarten Teacher”

  AMERICAN ANIMALS (no distrib):  It’s not easy to come up with a new spin on the venerable heist movie genre, but writer/director Bart Layton has managed just that with American Animals.  Layton had been until now...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Film Festival Review: “Colette”

  COLETTE (no distrib):  These days, the early 20th Century French writer known as Colette is remembered mostly if at all for having written the story that became the musical Gigi, but her own life proves to be remarkably...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Film Festival Review: “Don’t Worry, He Won’t Get Far On Foot”

  DON’T WORRY, HE WON’T GET FAR ON FOOT (Amazon):  Despite some Christopher Nolan-esque splintering of time, Gus Van Sant’s Don’t Worry, He Won’t Get Far On Foot is one of his more convention...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Review: “Juliet, Naked”

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that s...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Film Festival Reviews: “Blindspotting” & “Monsters and Men”

  BLINDSPOTTING (no distrib):  At Sundance, often one doesn’t seek perfection so much as promise, and there’s plenty of the latter in Blindspotting, written by its stars Daveed Diggs and Rafael Casal.  They h...
by Mitch Salem
 

 

 

SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 1.16.2018

  A solid start for BLACK LIGHTNING. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skew...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 1.14.2018

  OPENINGS:  THE POST (DreamWorks/Reliance/Participant/20th) expanded to wide release with $18.6M over 3 days (which should become $22M with Monday).  That’s a bit better than the $15.4M 3-day start for Steven Spie...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: “Jumanji” Still Driving MLK Box Office; “The Post” Expands Well, “Proud Mary,” “Paddington 2,”” “The Commuter” Flounder

  As the 2018 box office enters the Martin Luther King holiday weekend, most of its strength still lies in 2017 releases.  According to preliminary numbers at Deadline, JUMANJI: WELCOME TO THE JUNGLE (Columbia/Sony) is on...
by Mitch Salem
 

 
 

SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 1.9.2018

  THIS IS US didn’t miss a step. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience sk...
by Mitch Salem
 

 

 

The Sked: Sunday Network Scorecard 1.7.2018

  Despite the massive attention paid to them in the media, the GOLDEN GLOBES were slightly down. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demogr...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Golden Globes Live Blog

  It’s not hyperbole to say that the stakes are higher for tonight’s GOLDEN GLOBES than they’ve ever been before.  On the awards front, a full set of wide-open Oscar races means that most Globe winners w...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 1.7.2018

  OPENINGS:  By horror movie standards, INSIDIOUS: THE LAST KEY (Blumhouse/Universal) didn’t collapse on Saturday (down 13%), and that propelled it to a very solid $29.3M weekend, which among horror product in that ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “The Chi”

  THE CHI:  Sunday 10PM on Showtime – More Mean Streets Showtime’s THE CHI is geographically close enough to the Chicago of its veteran hit Shameless that its characters could bump into Gallaghers at any given...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: “Jumanji” Tops “Insidious,” Heavy Drop For “Last Jedi,” “Molly’s Game” & “Darkest Hour” Expand

  2018, as is often the case, is kicking off at the box office, with low-budget horror, and according to preliminary numbers at Deadline, INSIDIOUS: THE LAST KEY (Blumhouse/Universal) easily took Friday with $12.5M (includ...
by Mitch Salem