LARRY CROWNE:  Watch It At Home – Giant Stars/Tiny Ambitions   Allow me to play Nostradamus for a moment.  the day will come–and it’s not far off–when you’ll be sitting in front of your TV set, remote in hand (or maybe you’ll be looking at your online streaming site, the vision is a little […]

    THE THING:  Watch It At Home – Not Interesting Enough To Be Scary   The third movie iteration of THE THING is as impersonal as the creature it’s about.  This version, the first feature directed by Matthijs van Heijningen Jr and with a script credited to Eric Heisserer (he wrote the remake of […]

    STAR WARS EPISODE I:  THE PHANTOM MENACE 3D, to give it its fully identifying title, has the distinction of being the most successful movie ever made that is generally agreed to be terrible.  Over $900M in tickets have been sold for Phantom Menace since its opening in 1999 (that number will go over […]

  Whatever one can say about Chris Columbus–and there’ll be plenty of less than glowing words about him below–he’s the man who cast Daniel Radcliffe, Rupert Grint and Emma Watson as the leads in 2001’s HARRY POTTER AND THE SORCERER’S STONE, and for that Warners should name a building after him.  The three grew over […]

> The problem with 2011 on screen was more the pervasive mediocrity than an overload of terrible movies, but that doesn’t mean there weren’t some awful films to be found–and, if possible, avoided.  Here are 10 or so: 10.  ONE DAY:  Admittedly, a cheat:  One Day wasn’t a complete disaster–it was far less painful to […]

  POINT BLANK – Worth a Ticket:  A Thrill-Ride with Subtitles   The most gripping Hollywood thriller of the summer is… in French.  (But not for long.)  This isn’t a complete surprise:  POINT BLANK‘s director/co-writer Fred Cavaye may not be a household name, but he made the film Anything For Her, the 96-minute thriller that […]

    HAYWIRE:  Worth A Ticket – For the Gasp-Inducing Fight Scenes Alone   You might think that if a major, celebrated filmmaker were to take the extraordinary step of announcing, years in advance, that he had set the time for his retirement from movies, and that, even though he was only middle-aged, he would […]

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which premiered tonight at the Toronto Film Festival.  Blessed with yet another superb lead performance by Michelle Williams, Polley’s film […]