OUR IDIOT BROTHER – Watch It At Home:  Sitcom On A Big Screen   Although it premiered at Sundance, OUR IDIOT BROTHER was an “independent film” only in a technical sense:  it was produced on a relatively low budget and didn’t have US distribution in place.  (Harvey Weinstein picked it up at the […]

  NEW YEAR’S EVE:  Not At Any Price – Calling it a “Sit-Com” Insults TV   NEW YEAR’S EVE is such a calculated piece of commercial manufacture that it deserves a Powerpoint presentation more than a review.  Although strictly speaking it isn’t a sequel to Valentine’s Day (and in fact a few of the same […]

> Not Even For Free; The 3D Must Stand For “Dull Deadly Dud” If you squint at the post-apocalyptic desert wasteland settings of PRIEST, I swear you can see the camera crews from The Book of Eli, Jonah Hex, Resident Evil and Ultraviolet trying to duck out of frame.  At this point, I don’t think […]

> One of the enduring questions of Madonna’s illustrious quarter-century career is how someone so brilliant in managing every other facet of her persona has consistently made such terrible decisions when it comes to movies.  It’s the one medium where she’s never succeeded, and even when she’s occasionally done something right, she instantly follows it […]

    A BETTER LIFE – Watch It At Home:  Earnest Isn’t Enough   Impending disaster hangs over every early scene of Chris Weitz’s new film A BETTER LIFE.  As soon as we’re introduced to Carlos Galindo (Demian Bichir) and learn that he’s an illegal immigrant, eking out a life as a gardener in Los […]

    THE IDES OF MARCH:  Watch It At Home – An Excellent Play Becomes a Merely Good Movie   The Ides of March, one of the most eagerly awaited of this year’s festival crop, is more entertaining than it is good. Oddly both low-key and melodramatic, claptrap and high-minded drama, it represents a series […]

  CHRONICLE – Worth A Ticket –  “Found Footage” That Deserves to Be Found   Over the past decade, audience hunger for “reality”–the word very much in quotation marks–has engulfed much of popular cultture, from YouTube videos to self-produced songs, from tweets to television series and even cable networks built around people playing manipulated versions […]

> Worth A Ticket. Of all the “Friends” who kept America company in its collective living room for a decade, David Schwimmer has taken the most concerted step away from the work that made him famous.  While Courtney Cox, Matthew Perry, Matt LeBlanc and Lisa Kudrow have mostly continued in TV comedy, and Jennifer Aniston’s […]