WE BOUGHT A ZOO:  Worth A Ticket – Cameron Crowe Pays His Dues and Keeps His Dignity   There’s a classic line in Albert Brooks’s incredibly prescient 1979 Real Life where Brooks, as the prototype of a reality-television director, tries to decide whether to do something unethical.  His rationalization for going ahead:  “What […]

>    Worth A Ticket:  Grade It On A Curve In 1999, Jake Kasdan directed a project set in high school that starred Jason Segel and featured Dave (Gruber) Allen in its ensemble; it was called Freaks and Geeks, and it has its own special place in pop culture history.   His new BAD TEACHER… […]

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which will hit theatres in time for a serious awards season push in late November.  Sideways and Payne’s earlier Election are two […]

  SARAH’S KEY – Watch It At Home:  Misses a Difficult Mark     There may be no cinematic minefield more dangerous for filmmakers than the Holocaust.  For films entering that difficult territory, the choices of tone, approach and imagery may not just be called into question, but outright offend audiences, and viewers have very […]

  IN TIME:  Watch It At Home – The Clock Never Really Starts Ticking   Andrew Niccol wants to be a populist moviemaker of ideas, but he just doesn’t have the knack.  Niccol’s ideas are genuinely impressive:  he’s the man who wrote The Truman Show and Gattaca, and less successfully, S1mOne and Lord of War.  […]

  If THE DARK KNIGHT had no superhero or comic book trappings–if The Joker were scarred but not hideously made up, and Batman were a bit lower-tech and merely disguised rather than wearing a cowl and cape–Christopher Nolan’s film would still be one of the best action-adventure crime movies of the past 20 years.  Within […]

> Watch It At Home:  The God of Thunder Musters a Tinny Roar. Put it this way:  the new superhero epic THOR cost something like $150M to produce, required the diligent services of hundreds of professionals over a period of 2 years, is being presented with all the trappings of IMAX, 3D and super-stereo, and […]

> Welcome to SHOWBUZZDAILY’s coverage of the Toronto International Film Festival, where the reviews will be as plentiful as we can cram into a week. TIFF started things off on a less-than-festive note with Werner Herzog’s documentary “Into the Abyss,” The title isn’t kidding: this is the story of a meaninglessly brutal triple murder committed […]