WINTER’S TALE: Not Even For Free – 2 Hours of Thin Tinsel The new movie WINTER’S TALE makes one ponder the phrase “labor of love.” It marks the feature directing debut of the enormously successful writer/producer Akiva Goldsman, whose films include A Time To Kill, A Beautiful Mind, Cinderella Man, Hancock, The Da Vinci […]
BLACKHAT: Not Even For Free – One of Michael Mann’s Worst Michael Mann has become a filmmaking vampire; he sucks the blood out of promising projects. His new, seemingly up-to-the-minute computer hacking thriller BLACKHAT, following his problematic Miami Vice film and Public Enemies (as well as the pilot for HBO’s Luck) is once again his trademark kind […]
Virtually every screening at Sundance is followed by a Q&A with the filmmaker, and while these sessions can be informative and charming (although 3 questions that need never be asked again are How long did you shoot? What was the budget? and How much was improvised?), they can also be quite sad. Watching them, […]
SAFETY NOT GUARANTEED: Worth A Ticket – Time Is Of Its Essence Nothing in SAFETY NOT GUARANTEED happens the way you’d expect. The film was inspired by a real-life classified ad run by someone looking for a companion for time travel, advising that applicants “must bring your own weapons.” But it’s not a docudrama, […]
TAKEN 2: Watch It At Home – “Particular Set of Skills” Indeed As silly sequels to mindless hits go, TAKEN 2 is fairly entertaining, at least for a while. The first movie, of course, was a surprise smash in 2009, at $145M (in the US alone) Liam Neeson’s biggest success as a solo […]
PARKER: Watch It At Home – Jason Statham Being Tough (Again), Elevated By Strong Supporting Cast PARKER is what Jack Reacher might have been if it hadn’t been gripped by the excess that accompanies Tom Cruise. It’s a solid, unpretentious B movie–the epitome of the Jason Statham movie ethos–that’s not worth a trip to […]
NEBRASKA: Buy A Ticket – A Lovely, Tart Slice of Americana An unusually strong season for American movies continues with the arrival of the simple and profound NEBRASKA, directed by Alexander Payne from a marvelous script by first-time feature writer Bob Nelson. Among its other virtues, it manages to feature within its 114 minutes […]
X-MEN: DAYS OF FUTURE PAST: Buy A Ticket – For Once, The Script Is As Mighty As the CG After the money-making meatball that was Godzilla, X-MEN: DAYS OF FUTURE PAST serves welcome notice that a movie can cost hundreds of millions of dollars, be crammed with CG-generated spectacle, and still have room for an […]