Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly crafted script (based on the best-selling novel by Andy Weir) has a premise both simple and massively complex:  during a giant sandstorm on the surface […]

  THE FIRST TIME may be too lovable for its own good.  Jonathan Kasdan’s teen romance, which premiered in the Dramatic Competition at Sundance, couldn’t be more straightforward:  in its opening minutes, it introduces the adorable Dave (Dylan O’Brien) and Aubrey (Britt Robertson), two hyper-articulate sweethearts who meet outside a suburban LA party neither of […]

LOLA VERSUS:  Watch It At Home – An Unmemorable Woman   LOLA VERSUS‘ ambition is pretty clear:  it wants to be the 2012 version of Paul Mazursky’s 1978 comedy-drama AN UNMARRIED WOMAN, which is to say covering all the bases except the “married” part.  We meet Lola (Greta Gerwig) on her 29th birthday, and she […]

  FRANKENWEENIE:  Watch It At Home – Tim Burton Tries To Bring His Old Creation Back to Life Tim Burton certainly can’t have planned it this way, but his new stop-motion feature version of FRANKENWEENIE serves, in a sense, as a microcosm of his career:  starting as a modestly appealing and very personal meld of […]

  THE HEAT:  Watch It At Home – A Functional Vehicle for Two Strong Stars Let’s face it:  it doesn’t really matter what THE HEAT is about.  A streetwise Boston cop, a straight-laced FBI agent, some crimes that need solving, teamwork imposed on the pair, hostility that turns gradually into friendship, a few mutual life […]

  THE SECRET LIFE OF WALTER MITTY:  Buy A Ticket – Ben Stiller’s Imaginative, Flawed Reboot Of The Classic Tale The movies Ben Stiller directs for himself (Reality Bites, Zoolander, Tropic Thunder) are nearly always more interesting than the product he churns out as an actor (the Night At the Museum franchise, the Meet the […]

  MALEFICENT:  Watch It At Home – Only Jolie Casts a Spell The conflicting agendas driving the new MALEFICENT don’t leave much room for the movie itself.  Like Wicked and Once Upon A Time, it’s a revisionist fairy tale, specifically one that casts a sympathetic, proto-feminist eye on an iconic evil sorceress.  But it’s also […]

> Lynn Shelton’s Humpday in 2009 was one of the most engaging pictures to come out of the mumblecore movement (“mumblecore,” for the uninitiated = ultra-low-budget, small scale film with dialogue mostly improvised by the actors), and her new film YOUR SISTER’S SISTER, which premiered at the Toronto Film Festival last night, confirms that she’s […]