> Sundance changed the way it kicks things off this year. Instead of a single high-profile Opening Night Film (which has almost always turned out to be a disappointment), the festival screened several smaller films. For those of us who arrived before the madness begins in earnest tomorrow, there was the chance to get Wait […]

    THE LORAX:  Not Even For Free – A Seussian Mess   It may not be pretty, but surely it’s true–Credit must go where credit is due.  In this case, that means the Universal Pictures Marketing Department, which as it turns out has done a splendid job these last few weeks of hiding just […]

THE WATCH:  Not At Any Price – Do the Stars a Favor:  Don’t Watch Some terrible movies surprise and disappoint, but you could see THE WATCH coming for weeks.  The increasingly desperate marketing campaign told the story–it’s a buddy comedy!  it’s a sci-fi comedy!  it’s a buddy comedy and a sci-fi comedy!–as did the panicky […]

  THE GUILT TRIP:  Watch It At Home – Maybe If the Ride Were Bumpier, It Would Be More Interesting The odd thing about THE GUILT TRIP is that it doesn’t especially cater either to fans of Barbra Streisand (who would probably prefer a more over-the-top, diva-like experience, not to mention some singing) or those of Seth […]

  TO THE WONDER:  Malick Twirls and Twirls and Doesn’t Get Anywhere Terrence Malick’s last film The Tree of Life was nominated for the Academy Award for Best Picture; his new TO THE WONDER is receiving only a token theatrical release, with the bulk of its distribution through video-on-demand.  That’s a sign of the times, […]

  It’s not really a surprise to see Alfonso Cuaron join James Cameron, Martin Scorsese and Ridley Scott in that small group of film artists who have made 3D part of the essential toolbox of their imagery (no, Baz Luhrmann and Guillermo del Toro don’t make the list, although Michael Bay might).  Cuaron is a […]

  THE MONUMENTS MEN:  Watch It At Home – George Clooney’s Film Is No Classic Work of Art George Clooney’s THE MONUMENTS MEN is a startlingly complete failure.  It’s Clooney’s fifth film behind the camera (after Confessions of a Dangerous Mind, Good Night, and Good Luck., Leatherheads, and The Ides of March), but it’s the […]

  THE HUNGER GAMES: MOCKINGJAY PART I:  Worth A Ticket – Half a Good Movie Is Still Half a Movie As big-screen and small-screen entertainment experiences have begun to merge, there’s been an increase in serialized franchise storytelling–super-expensive mega-movies turned into regularly scheduled series.  Sequels, of course, have always been with us, but through the […]