RUBY SPARKS:  Worth A Ticket – A Narrative Feat   Woody Allen is one of the most influential figures in modern independent film, but his ghost is usually evident in the many romantic comedy-dramas we get each year paying homage to Annie Hall and Manhattan, about hyper-intellectual big-city types who lurch in and out […]

  GROWN UPS 2:  Not Even With A Gun To Your Head – Is It Time For the Razzies Yet? One can’t lightly dismiss Adam Sandler.  After the first Grown Ups, it seemed implausible that he could make a movie even worse, but in quick succession he churned out the truly unspeakable Jack & Jill […]

> There’s a principled discussion to be had about whether the Sundance Film Festival should be featuring movies that are essentially low-budget Hollywood entertainments made outside the studio system. But that discussion fades into irrelevance when the result is as hilarious and accomplished as FOR A GOOD TIME, CALL…, which premiered tonight. Directed by first-time […]

  As a movie year, 2013 was awfully slow in getting started.  Hardly anything worth remembering opened all winter and spring–only 1 movie in the Top 10 below opened in theatres before late May.  Summer brought some relief, and then the film festival season that began at the end of August opened the doors wide […]

  PROMETHEUS:  Worth A Ticket – For the Visual Splendor, Not the Plot   Expectations were undoubtedly too high for PROMETHEUS.  The Alien franchise (and notwithstanding Ridley Scott and co-writer Damon Lindelof’s hemming and hawing on the subject, it’s utterly clear that Prometheus is nothing but a prequel entry in the franchise) has never been […]

  PARKER:  Watch It At Home – Jason Statham Being Tough (Again), Elevated By Strong Supporting Cast PARKER is what Jack Reacher might have been if it hadn’t been gripped by the excess that accompanies Tom Cruise.  It’s a solid, unpretentious B movie–the epitome of the Jason Statham movie ethos–that’s not worth a trip to […]

THE DARK KNIGHT RISES:  Worth A Ticket – The Saga That Rewrote Superhero Movies Goes Out With A Weighty Bang Christopher Nolan likes his intricate, novelistic plotting.  You remember the portion of The Dark Knight where Batman had to travel to Hong Kong to capture a banker who was laundering money for Gotham City’s gangsters, because […]

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photographs what’s going on while he’s on the beat, supposedly to generate footage for a documentary he wants to put […]