ANCHORMAN 2: THE LEGEND CONTINUES:  Watch It At Home – Fun But Overextended Silliness ANCHORMAN 2:  THE LEGEND CONTINUES runs 119 minutes, which is rather too much of a not-bad thing (the original Anchorman, in 2004, was a brisk 94 minutes), but it pales in comparison to the accumulated length of the marketing campaign […]

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers, End of Watch and Prisoners.  He achieves true creep-ness in NIGHTCRAWLER, which premiered at the Toronto Film Festival before […]

  THE HUNGER GAMES:  Worth A Ticket – The Odds Are Mostly In Its Favor   Now that virtually every blockbuster movie opens in IMAX, going to an IMAX theatre at this time of year provides a de facto trailer festival for an entire summer of (seemingly) more or less mindless spectacle.  As The Avengers […]

  THE EXPENDABLES 2:  Watch It At Home – Grumpy Old Mercenaries The first reel of THE EXPENDABLES 2 is just about all the numbskull fun you could ever wish for.  Our intrepid team of Barney (Sylvester Stallone), Christmas (Jason Statham), Yang (Jet Li), Jensen (Dolph Lundgren), Hale Caesar (Terry Crews), and Toll Road (Randy […]

  The year-end movies are almost all out now (2012’s final limited release, PROMISED LAND, opens on Friday), so here’s a handy capsule guide to what’s worth seeing at the multiplex-and what isn’t.  Just click on the titles for our full reviews. RESERVE YOUR SEATS NOW ZERO DARK THIRTY: Kathryn Bigelow’s (and screenwriter Mark Boal’s) […]

  It’s almost unheard-of for a franchise to need 5 installments to hit its stride, but that was the case with 2011’s Fast Five.  After kicking around with its first, moderately successful quartet in various locations and featuring shifting combinations of characters (aside from a seconds-long cameo, neither Vin Diesel nor Paul Walker even appeared […]

  THE GRAND BUDAPEST HOTEL:  Worth A Ticket – Wes Anderson’s Latest Fancy Box Has Something Inside Where has the “Academy” 1.37:1 screen aspect ratio been all of Wes Anderson’s life?  One of Anderson’s visual motifs (some would say “fetishes”) is to photograph his actors enclosed in windows, doorways, or other pieces of production design, […]

  Scott Cooper’s BLACK MASS is a beautifully put together and wonderfully acted true-life drama about Boston gangsters and the law, but it has a void at its center that holds it back from greatness.  That center isn’t occupied by JoOut ofhnny Depp or his character James “Whitey” Bulger (one used that nickname with him […]