THE WOLF OF WALL STREET:  Buy A Ticket – Scorsese’s Boisterous Epic of Bottomless Greed The key sequence in Martin Scorsese’s THE WOLF OF WALL STREET arrives about 2 hours into its 3-hour length.  (No meaningful spoilers here.)  The resoundingly crooked financier Jordan Belfort (Leonardo DiCaprio) and his equally bent sidekick Donnie Azoff (Jonah […]

  ST. VINCENT (Weinstein) – Opens October 24 – Worth A Ticket Bill Murray has perfected the persona of the grouchy, reluctant hero.  The image has even attached itself to him professionally:  although he’s not close to being even semi-retired (ST. VINCENT, which premiered at the Toronto Film Festival and opens next month, will be […]

> The festival has its first crowd-pleaser in CELESTE AND JESSE FOREVER, a light but heartfelt romantic comedy-drama in the Woody Allen vein. Written by Rashida Jones (who also stars as Celeste) and Will Mc McCormack (on hand as well as a supportive weed dealer), it takes a different slant on the usual rom-com by […]

    FRIENDS WITH KIDS:  Worth A Ticket – Sitcom, In A Good Way   We live in a pop culture where the recent Emmy Award nominees are so clearly superior to the films up for this past year’s Oscar that it’s not even worth arguing about. (Mad Men vs The Artist?  Game of Thrones […]

  THE BOURNE LEGACY:  Watch It At Home – Not Up To the Real Bournes THE BOURNE LEGACY has been concocted with a combination of ingenuity and desperation.  It exists because Universal–a studio dangerously light on action and fantasy movie franchises in an era where those are at the dead center of the business–couldn’t afford […]

  DJANGO UNCHAINED – Worth A Ticket – Pre-Civil War American History 101 With Professor Tarantino Quentin Tarantino is, when you think about it, the most successful avant-garde filmmaker in Hollywood.  His triumph is that although his films are as idiosyncratic and unique as, say, those of the Andersons Wes and Paul Thomas or of […]

  CARRIE:  Watch It At Home – Respectable But Uninspired Rebo The talented director Kimberley Peirce plays a losing game with her remake of Brian DePalma’s iconic 1976 CARRIE.  (In fairness to Peirce, it’s not clear how many of the creative shots she was calling; she signed on as a director-for-hire after struggling for years […]

  WINTER’S TALE:  Not Even For Free – 2 Hours of Thin Tinsel The new movie WINTER’S TALE makes one ponder the phrase “labor of love.”  It marks the feature directing debut of the enormously successful writer/producer Akiva Goldsman, whose films include A Time To Kill, A Beautiful Mind, Cinderella Man, Hancock, The Da Vinci […]