>Benh Zeitlin’s BEASTS OF THE SOUTHERN WILD is the kind of movie that makes people wince when they hear “independent film”. A tale, with magical realist overtones, set in the mostly African-American poverty of the Louisiana bayous, it’s narrated by its precocious child protagonist, known as Hushpuppy (Quvenzhane Wallis). Hushpuppy lives with her father Wink […]

      JOHN CARTER:  Watch It At Home – Never Goes Into Orbit   All signs suggest that JOHN CARTER will be a financial failure of historic proportions, mostly because of its colossal cost (Disney admits to $250M, which almost certainly means close to $300M when reshoots and last-minute CG are included–and that doesn’t […]

  THE CAMPAIGN:  Not At Any Price – Abstain THE CAMPAIGN, like many a politician before it, tries to be all things to all people, and winds up delivering almost nothing. There was reason to be hopeful about The Campaign, mostly because its director, Jay Roach, seemed to embody exactly the mix the movie was […]

  IRON MAN 3:  Watch It At Home – Offbeat But Uneven Tentpole The last thing on earth that Shane Black, the co-writer (with Drew Pearce) and director of IRON MAN THREE (the way the credits spell it) seems to have wanted to make was an Iron Man movie, and that makes this third–or third […]

  CAPTAIN PHILLIPS:  Order Tickets Now – Exceptionally Taut, Intelligent Real-Life Thriller Paul Greenglass is a master of capturing pulse-pounding immediacy on film, and for most directors that would be enough.  Hollywood would be more than happy to back a money truck up to his door and have him churn out nothing but additional Bourne […]

  ROBOCOP:  Watch It At Home – A Tinny Remake This weekend’s movie openings feature no less than 3 remakes of 1980s hits, with new versions of ROBOCOP, About Last Night and Endless Love arriving at once, but it’s just as notable that all three were R-rated in their original forms, and two have now […]

  There was a distinct feeling in 2014 that movies–the business and art of mainstream American film–reached a kind of tipping point.  The industry seemed to collectively hit that moment in its flight when so much fuel has been burned that there’s no longer any realistic possibility of returning to home base. Trends that have […]

  James Ponsoldt’s SMASHED (not to be confused with NBC’s Smash), which premiered in the Dramatic Competition at Sundance, is a new spin on a fairly old story.  The concept goes back (at least) to 1962’s Days of Wine and Roses:  a couple (Mary Elizabeth Winstead and Aaron Paul), very much in love with both […]