In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her character Marie’s family. Paris was only a moderate art-house success in the US ($4.4M), but […]
MADAGASCAR 3: EUROPE’S MOST WANTED – Worth A Ticket – A Circus Indeed There’s a certain luxury in being DreamWorks Animation. Pixar gets the awards and the acclaim, but it’s also held to an impossibly high standard: if Cars 2 had been a DreamWorks movie, it would have been considered a perfectly reasonable entertainment, […]
ALEX CROSS – Not At Any Price – A Pilot For A Show You Wouldn’t Watch ALEX CROSS is as generic as a cop movie can be–it’s a few commercial breaks away from airing on CBS or TNT–but there’s been a certain fascination about it since it was announced that the lead role would […]
IDENTITY THIEF: Watch It At Home – Star Power Makes This Rote Comedy Look Better Than It Is IDENTITY THIEF is basically a string of contrivances, which makes it not all that different from most big-studio comedies these days. The story arc traces all the way back to the screwball comedies of the 1930s […]
THE LONE RANGER: Not Even For Free – The Silver Bullet Is Self-Inflicted Disney’s reluctance to produce THE LONE RANGER is well-documented; the studio even shut down the production shortly before shooting was to begin in order to force producer Jerry Bruckheimer, producer/director Gore Verbinski and producer/star Johnny Depp to slim down the production […]
DELIVERY MAN: Not Even For Free – Vince Vaughn Tries Wholesomeness DELIVERY MAN, alas, is Vince Vaughn’s Patch Adams. Vaughn’s desire to try something new is understandable: he’s in his mid-40s now, and his rat-a-tat schemer schtick has been running thin lately (his last real hit was Couples Retreat in 2009); at this rate, […]
A MILLION WAYS TO DIE IN THE WEST: Not Even For Free – They Don’t Include “Die Laughing” Seth MacFarlane, out from behind his high-concept animated and fantasy premises, has a surprisingly retro, even conservative sense of humor. For all the many, many four-letter words in A MILLION WAYS TO DIE IN THE WEST, and […]
> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fifth, is in a somewhat different mode, edging toward genre, but it continues to display his […]