EDEN (IFC):  release date unscheduled – Watch It At Home Notwithstanding its subtitles, the genre of Mia Hanson-Love’s EDEN, which had its world premiere at the Toronto Film Festival, isn’t unfamiliar to American eyes:  the rise and fall of a musical genre, as reflected through a group of friends who are involved with it.  […]

> The fundamental problem with LAY THE FAVORITE, Stephen Frears’ new film that premiered last night at Sundance, is that it’s made by people who seem to have little if any interest in gambling. And since this is a movie about the thrill and especially the business of gambling, that means they don’t have any […]

  21 JUMP STREET:  Watch It At Home – High School Meta-Bromance   The meta-ization of contemporary comedy marches on:  Community, of course, is a virtual meta-kingdom, but Happy Endings makes Friends jokes, this week’s 30 Rock undercut what appeared to be its own sentimental ending with jokes poking at viewers who might like sentimental […]

  THE ODD LIFE OF TIMOTHY GREEN:  Not At Any Price – Should Have Been Pruned   When Disney decided to make THE ODD LIFE OF TIMOTHY GREEN, it probably shouldn’t have put the word “odd” in the title.  Although I suppose it’s preferable to “weird” or “mildly creepy.” Timothy Green is the story of […]

  STAR TREK: INTO DARKNESS:  Worth A Ticket – Another Satisfying Trip On the Enterprise J.J. Abrams and his Bad Robot cohorts, writers Roberto Orci and Alex Kurtzman, did a bang-up job rejuvenating the Star Trek franchise in 2009, and their first next journey where many, many have gone before, the new STAR TREK: INTO […]

  BLUE IS THE WARMEST COLOR:  Buy A Ticket – A 3-Hour Deep Dive Into A Character’s Soul BLUE IS THE WARMEST COLOR is relentlessly, sometimes suffocatingly intimate.  By that I don’t mean its celebrated, lengthy (although simulated) sex scenes between lead characters Adele (Adele Exarchopolous) and Emma (Lea Seydoux), which have earned it an […]

  ENDLESS LOVE:  Not Even For Free – Hopeless Wreck Truly:  why does this new ENDLESS LOVE exist?  Even on the crassest commercial level, it makes very little sense.  The 1981 Franco Zeffirelli/Brooke Shields/Martin Hewitt version is remembered as neither good nor particularly successful (it made only half as much as Shields’ Blue Lagoon had […]

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly crafted script (based on the best-selling novel by Andy Weir) has a premise both simple and massively complex:  during a giant sandstorm on the surface […]