JACK THE GIANT SLAYER:  Watch It At Home – No Giants Here It’s been a dozen years since moviegoers took up residence in Middle Earth with the opening of the first Lord of the Rings film, and since the multi-billion dollar success of that franchise, Hollywood has refused to let us leave.  Apart from […]

  THE BOURNE LEGACY:  Watch It At Home – Not Up To the Real Bournes THE BOURNE LEGACY has been concocted with a combination of ingenuity and desperation.  It exists because Universal–a studio dangerously light on action and fantasy movie franchises in an era where those are at the dead center of the business–couldn’t afford […]

  TRANCE:  Watch It At Home – Tricky But Unsatisfying Thriller From Danny Boyle TRANCE is both extremely clever and remarkably stupid.  I wish I could explain exactly how, but Danny Boyle’s thriller, written by John Hodge and Joe Ahearne, has the kind of story that piles reversals on twists on reveals, so there’s not […]

>Benh Zeitlin’s BEASTS OF THE SOUTHERN WILD is the kind of movie that makes people wince when they hear “independent film”. A tale, with magical realist overtones, set in the mostly African-American poverty of the Louisiana bayous, it’s narrated by its precocious child protagonist, known as Hushpuppy (Quvenzhane Wallis). Hushpuppy lives with her father Wink […]

> Although Sundance still has several days to go, and surprises could spring up at any time (yesterday The Surrogate, a drama with John Hawkes as a man in an iron lung who decides to lose his virginity to a sex therapist played by Helen Hunt, came out of nowhere to win a huge $6M […]

  NOT FADE AWAY:  Watch It At Home – The Tumultuous 1960s (Again) What do you do after you’ve created the seminal television drama of our time?  If you’re David Chase, it seems that you take a few years off to soak in your Sopranos adulation and awards (consistently refusing to discuss the controversial ending, […]

  THE THREE STOOGES:  Watch It At Home – More Nyuks Than You’d Expect   The Farrelly Brothers’ THE THREE STOOGES is better than its marketing campaign let on, and while that would be more impressive if the trailer and ad materials hadn’t been almost unwatchably bad, it still makes for a welcome relief.  The […]

‎ Jacques Audiard doesn’t do sentimental. His last film, A Prophet, had the clear-eyed view of crime and the dramatic heft of a French version of “The Wire,” and his new and very different drama RUST & BONE benefits as well from his refusal to take the road of easy emotion. Lord knows, the bare […]