BRAVE: Watch It At Home – Pixar Out Of Its Element A spunky young animated princess is suffocated by her domineering mom, and her efforts to break free lead to all sorts of unintended chaos… Wasn’t Tangled a lot of fun? Pixar’s new BRAVE has gotten lots of attention for being the studio’s first […]
THE HUNGER GAMES: Worth A Ticket – The Odds Are Mostly In Its Favor Now that virtually every blockbuster movie opens in IMAX, going to an IMAX theatre at this time of year provides a de facto trailer festival for an entire summer of (seemingly) more or less mindless spectacle. As The Avengers […]
> Sundance changed the way it kicks things off this year. Instead of a single high-profile Opening Night Film (which has almost always turned out to be a disappointment), the festival screened several smaller films. For those of us who arrived before the madness begins in earnest tomorrow, there was the chance to get Wait […]
THE LONE RANGER: Not Even For Free – The Silver Bullet Is Self-Inflicted Disney’s reluctance to produce THE LONE RANGER is well-documented; the studio even shut down the production shortly before shooting was to begin in order to force producer Jerry Bruckheimer, producer/director Gore Verbinski and producer/star Johnny Depp to slim down the production […]
FILLY BROWN, directed by Youssef Delara (who also wrote the script) and Michael D. Olmos, falls into a recognizable Sundance genre: sagas of poor young women (usually ethnic) struggling to escape their poverty and make a better life. Celebrated examples in festival history include Girlfight and Real Women Have Curves; Filly Brown, while […]
ALEX CROSS – Not At Any Price – A Pilot For A Show You Wouldn’t Watch ALEX CROSS is as generic as a cop movie can be–it’s a few commercial breaks away from airing on CBS or TNT–but there’s been a certain fascination about it since it was announced that the lead role would […]
THE LUCKY ONE: Watch It At Home – Not If The One Is In The Audience Zac Efron has been working out, and he wants you to know it. Efron’s new biceps and abs are on frequent display in THE LUCKY ONE, often shiny with sweat and otherwise photographed by director Scott […]
G.I. JOE: RETALIATION: Not Even For Free – Endlessly Dumb Exercise In Boom-Boom Action There’s a difference between making a movie for 11-year old boys and having a script that seems to have been written by one. (Or in this case by Rhett Reese and Paul Wernick, doing a faithful imitation of one.) Idiocy […]