In recent years, the… let’s call it mature audience has been a profitable one, making moderate hits of films like The Best Exotic Marigold Hotel and Quartet. This holiday season, the title of choice for this niche is likely to be PHILOMENA, a literate tearjerker that Harvey Weinstein unveiled at the Venice and Toronto film festivals. Based on a true […]
THE HUMANS (A24/Showtime – Nov. 24): There are typically two strategies for adapting a celebrated play about a small number of people in a limited space to the screen. One is to “open it up,” adding scenes, characters, or at least locations outside the original set. The other is to lean into the claustrophobia, […]
The consensus is that the 2014 Sundance Film Festival was a solid but unexciting one. To an extent that’s a business judgment: whatever its leaders may say publicly, Sundance gave itself up long ago to being as much an acquisition showcase as an artistic one, and this year, while quite a few films at […]
MISS AMERICANA (Netflix – January 31): There are certainly areas of Taylor Swift’s life that are carefully elided in MISS AMERICANA (her actor boyfriend’s face and name are absent, for example, and there’s no mention of Cats), and Lana Wilson’s documentary culminates in an inspirational push that is very much on-message with Swift’s latest […]
A REAL PAIN (Searchlight/Disney – TBD): David (Jesse Eisenberg, who also wrote and directed) and Benji (Kieran Culkin) are cousins born just months apart and raised in close companionship. Over the years, though, they’ve drifted apart. Partly it’s because David remained in New York City, where he has a mundane but successful job selling […]
Natalie Portman certainly hasn’t made it easy for herself with her debut as a writer/director, A TALE OF LOVE AND DARKNESS. The film, which premiered at Cannes (but tellingly, doesn’t yet have a US distributor) before its first North American screening at the Toronto Film Festival tonight, is a period piece shot almost entirely […]
KNIVES OUT (Lionsgate – November 27): Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you think you know what’s going on, he can bang his trap shut. Johnson isn’t shy about his influences here. The murder victim, Harlan Thrombrey […]
LIVING (no distrib): Over the years, there’s periodically been talk about remaking Akira Kurosawa’s 1952 masterpiece Ikiru, including a rumored updated US version that would have starred Tom Hanks in the lead. We finally have an English-language Ikiru in the more modest form of Oliver Hermanus’s Living, from a screenplay by the famed novelist […]