> At 7AM today (East Coast time), the Toronto International Film Festival opened its boxoffice for single ticket sales, package orders having been filled a couple of days ago. As usual, the result was chaos: if you were lucky enough to get onto the screen where selections could be made, hitting “Send” froze that page; […]
Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy. He’s had something like a dozen features to his credit since the start of the decade, and that doesn’t include his shorts and contributions to compilations like V/H/S, to say nothing of the projects […]
THE NEST (no distrib): Sean Durkin’s first feature since 2011’s Martha Marcy May Marlene presents its emotions with such high-intensity beams that it often feels as though the film is going to slip into the thriller or even horror genre, but it’s actually just a family drama. Set in the Thatcher-era 1980s, its plot […]
THE WONDER (Netflix – November 16): In the time of Ireland’s Great Famine, 11-year-old Anna (Kila Lord Cassidy) claims to have survived for 4 months without eating even one bite of food. Is she a miracle, possibly a saint in the making, or a sham? The elders of her small town have the girl […]
MY OLD SCHOOL (no distrib): Although the story is apparently well-known in the UK, here the twisty tale that Jono McLeod unfurls in his documentary would constitute a spoiler, so we’ll leave things vague here. This much is fair: in the early 1990s, a 16-year old student named Brandon Lee arrived at a Glasgow […]
Events on the same-sex rights front have moved so quickly that FREEHELD, which is based on a true story from 2007, and has been in development almost since it occurred, now feels like something of a history story. Not completely, of course–as the current situation of the Kentucky clerk who won’t issue marriage licenses […]
Stuart Blumberg’s first film as a director (his screenwriting credits include The Kids Are All Right), THANKS FOR SHARING, never quite manages to solve its own central problem: how to make a sensitive and funny (and not harrowing) movie on the subject of sex addiction. We’ve had the harrowing version, of course, with Steve McQueen’s […]
FORD VS. FERRARI (20th Century Fox/Disney – November 15): If the Academy decides to award James Mangold’s Ford vs. Ferrari, which is certainly a possibility, it will be able to have some metaphorical cake and eat it too. FvsF is both a first-rate example of Hollywood corporate entertainment and a story that questions what […]