THE INSPECTION (A24 – November 14):  Back in 1983, Robert Altman directed the film version of David Rabe’s play Streamers, about a Vietnam-era boot camp that turned even more violent and vicious with the catalyst of one recruit’s closeted homosexuality.  Elegance Bratton’s The Inspection tells a similar story for the “Don’t Ask Don’t Tell” […]

  AMERICAN FICTION (Orion/MGM/Amazon – Nov. 17):  The Toronto People’s Choice Award has been something of a golden ticket to a Best Picture nomination over the years, and this year the prize went to Cord Jefferson’s directing debut American Fiction.  Jefferson’s script (based on the novel “Erasure” by Percival Everett) for the most part deftly toes […]

    KISS OF THE SPIDER WOMAN (no distrib):  The exercise in narrative that began with Manuel Puig’s 1976 Argentinian novel has found an enduring place in popular culture, first through a 1983 theatrical version adapted by Puig himself, then Hector Babenco’s 1985 film (which was nominated for Best Picture and Best Director and won […]

> It’s anyone’s guess why Francis Ford Coppola, at the age of 72, with some enduring cinema classics to his name, would decide to make a movie that’s a cross between a David Lynch retread, an old horror cheapie, and a hallucination.  What matters is that the resulting TWIXT is utterly dreadful, the worst film […]

> Josh Radnor’s writing/directing debut happythankyoumoreplease, which played Sundance a couple of years ago, was a promising, entertaining NY-set romantic comedy-drama that hailed from the Woody Allen division of indie film. His second film LIBERAL ARTS, which premiered last night at the festival, still sips from the fount of Woody (in this case, particularly from […]

    THE IMPOSSIBLE – Worth A Ticket – A Tsunami Film With Both Spectacle and Emotion Director Juan Antonio Bayona has done a spectacular job of re-creating the 2004 Asian tsunami in THE IMPOSSIBLE. Staged mostly in studio tanks with added CG imagery, the 10-minute long sequence puts Clint Eastwood’s version of the disaster in Hereafter […]

  When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home.  To a large extent, he’s pulled off his audacious comedy, although in keeping with its theme, this may be the kind of movie people […]

  BLACK AND WHITE – no current US distributor or release date – Not Even For Free BLACK AND WHITE was reportedly drawn from events in its writer/director Mike Bender’s own life, which makes it remarkable, on some bizarro level, that every single element of Binder’s script feels false and contrived.  Binder has been a […]