There are any number of ways the story of Linda Lovelace and Deep Throat could be told to make a potentially fascinating movie, from the sociological to the political, the personal to the satiric. The laziest–one might even say the most cowardly–would be to simply repeat the events as they were originally presented to the public […]
DALLAS BUYERS CLUB is more Erin Brockovich than Brian’s Song, and that’s why it works so well. Jean-Marc Vallee’s film, written by Craig Borten and Melisa Walack, is too angry to be sentimental. Set during the 1980s, it tells the story of Ron Woodroof (Matthew McConaughey, in a career-highlight performance), a hard-living, homophobic Texas electrician and rodeo rider […]
The post-apocalyptic sci-fi western, which once must have seemed revolutionary and innovative, is now (it dates back at least to 1975’s A Boy and His Dog) an established subgenre. Jake Paltrow’s entry into the field, YOUNG ONES, was roundly panned at Sundance, possibly because of that familiarity, but it’s a reasonably ambitious and quite […]
Lorene Scafaria’s THE MEDDLER spins its way past so many potential crash sites that it’s practically an example of cinematic stunt-driving. The premise itself is something out of a thousand terrible sitcoms: the widowed mom of the title, Marnie (Susan Sarandon), is so desperate to micro-manage her daughter’s life that she moves from New […]
BLINDSPOTTING (no distrib): At Sundance, often one doesn’t seek perfection so much as promise, and there’s plenty of the latter in Blindspotting, written by its stars Daveed Diggs and Rafael Casal. They have a lot on their minds, from the gentrification of Oakland to police shootings of unarmed black men to the dynamics of […]
BRITTANY RUNS A MARATHON (Amazon): Paul Downs Colaizzo, previously a playwright, makes a remarkably assured film writing/directing debut with Brittany Runs a Marathon, which features a breakout star performance by Jillian Bell. The story is based on Colaizzo’s own friend, and revolves around an overweight woman who decides to remake her life physically and […]
R#J: Every generation gets its Romeo & Juliet. In Carey Williams’ R#J, the words of Shakespeare are only occasionally heard. Instead, these extremely up-to-date Capulets and Montagues communicate almost exclusively over social media on their phones, and those screens are where the bulk of the film takes place. As written by Williams, Rickie Castaneda and […]
THE WORST PERSON IN THE WORLD (Neon – TBD): The Norwegian filmmaker Joachim Trier, despite being a subject of critical raves over the years, hasn’t penetrated the space where arthouse favorites become known to the mainstream. (It didn’t help that his English-language debut Louder Than Bombs was a bust.) The Worst Person In the World, […]