This may be heresy, but the virtual Sundance Film Festival went so smoothly that if they offered it as an option in a hopefully pandemic-free 2022, I’d seriously consider passing up the freezing weather and the waits for delayed, packed shuttle buses to stay at home.  Sure, I’d miss the communal experience, but on the […]

  BLINDSPOTTING (no distrib):  At Sundance, often one doesn’t seek perfection so much as promise, and there’s plenty of the latter in Blindspotting, written by its stars Daveed Diggs and Rafael Casal.  They have a lot on their minds, from the gentrification of Oakland to police shootings of unarmed black men to the dynamics of […]

  In a generally depressed indie film market, Netflix shelled out a reported $20M at Sundance for Chloe Domont’s feature writing/directing debut FAIR PLAY.  The splurge made sense:  Fair Play has that combination of strong storytelling and hot-button ideas on its mind that should allow it to temporarily take over the internet when it launches […]

  Stu Zicherman’s A.C.O.D. (written by Zicherman and Ben Karlin) suffers a bit from a familiar indie comedy malady:  the conflicting desires to tell meaningful and even dark stories, while at the same time getting a studio pick-up and selling some tickets.  The result, while funny at times and incisive at times, doesn’t successfully combine both. […]

  GLASS ONION (Netflix – November 4 in theaters, December 23 online):  After Rian Johnson’s Knives Out broke through to become one of the increasingly few non-IP-based mainstream hits in the market ($311.6M worldwide), Netflix moved aggressively to buy out the franchise, reportedly paying $450M for the next 2 crime-solving adventures of detective Benoit Blanc […]

  LA LA LAND (Summit/Lionsgate – December 2):  No film arrived at Toronto this year with more hype to live up to than Damien Chazelle’s La La Land, the follow-up to the filmmakers’s Oscar-winning Whiplash and the recipient of white-hot raves in Venice (where Emma Stone won the Best Actress award) and Telluride.  Chazelle’s rapturous […]

  PETERLOO (Amazon – November 9):  Not so much a movie as an illustrated historical recitation.  Mike Leigh’s film concerns the brutal 1819 government militia attack on civilians listening to a public address at St. Peter’s Field in Manchester, England, which came to be known as “Peterloo” because the bloodshed was likened to the then-recent […]

  OFFICIAL SECRETS (IFC):  Film festivals have a way of creating unintended double features when thematically similar films are seen in close proximity, and it’s hard to watch Gavin Hood’s Official Secrets without thinking about Scott Z Burns’s The Report.  Both are stories of whistleblowers and cover-ups involving the lead-up to the war in Iraq, […]