A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy.  That’s not meant as any kind of dire criticism; TV could use more smart, funny female voices like Robespierre’s and star Jenny Slate’s (Slate is already featured in a multitude of high-class TV shows, […]

  Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy.  He’s had something like a dozen features to his credit since the start of the decade, and that doesn’t include his shorts and contributions to compilations like V/H/S, to say nothing of the projects […]

  Star power makes all the difference  in THE SKELETON TWINS.  Craig Johnson’s dramedy (written with Mark Heyman) takes place in fairly commonplace territory, especially at Sundance:  siblings bound together, whether they like it or not, by embittered love and old family scars.  What isn’t expected, though, is for those roles to be filled by SNL alumni Kristen […]

  The trouble with trying to recommend THE ONE I LOVE , written by Justin Lader and directed by Charlie McDowell, is that it’s impossible to describe how clever, surprising and intriguing it turns out to be without giving up its secrets.  It begins straightforwardly–so much so, in fact, that you might need to restrain an “Ah, […]

  It would be easy enough to fill a Worst 10 list with low-budget “found footage” horror movies, and sadly not that much more difficult to fill one with earnest, badly-executed indies, but where’s the fun in that?  No, if we’re going to throw stones, let’s throw them through some expensive windows. WORST BIG BUDGET […]

  As a movie year, 2013 was awfully slow in getting started.  Hardly anything worth remembering opened all winter and spring–only 1 movie in the Top 10 below opened in theatres before late May.  Summer brought some relief, and then the film festival season that began at the end of August opened the doors wide […]

  THE SECRET LIFE OF WALTER MITTY:  Buy A Ticket – Ben Stiller’s Imaginative, Flawed Reboot Of The Classic Tale The movies Ben Stiller directs for himself (Reality Bites, Zoolander, Tropic Thunder) are nearly always more interesting than the product he churns out as an actor (the Night At the Museum franchise, the Meet the […]

  NEBRASKA:  Buy A Ticket – A Lovely, Tart Slice of Americana An unusually strong season for American movies continues with the arrival of the simple and profound NEBRASKA, directed by Alexander Payne from a marvelous script by first-time feature writer Bob Nelson.  Among its other virtues, it manages to feature within its 114 minutes […]